A documentary spotlighting "car-art" in America.
Social & External
Himself - Cosmic Ray Deflection Car
Himself - Super Coupe
Himself - Postcard Truck
Himself - Jewel Box
Himself - DC 6 & DC 13
THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.
A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.
Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.
Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.
Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.
Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?
A feature documentary on the life and career of designer Zac Posen.
Jobless and with no prospects, Niñato (Brat) lives with his parents and does hip-hop music. He lives the life of the outskirts, it's the Madrid of the chronic crisis. But he is 34 years old and has three children to bring up. Time goes by, the kids are growing up and Niñato carries on, making music and looking after the children, without worrying too much about his future. Oro, the smallest one, not too motivated at school, will demand more attention and drive Niñato to face his own conflicts.
“The Mutan tree, well we say tree, but originally it’s a liana that uses the tree to climb. And its grasp ends up killing the tree. That’s what is going to happen between us and the companies.” In Sarawak, one of the two Malaysian states on the island of Borneo, the Penan — who not that long ago were still nomads — are the first to be affected by deforestation.
Dobropillia is a town located in Eastern Ukraine: 70 km from the border where conflicts with the breakaway republics are raging on and people feel always like being on the verge of total war. The sheer uncertainty about the future pushes folks to cling on to their daily habits while trying to get along with the ever-shifting political landscape. A wide array of wildly diversified characters try to cope as good as they can with the hardships in their town. A death metal band keeps rehearsing daily. A teacher guides visitors through the story of the city. The wonders of a vibrating armchair are tested as a tool against stress and anxiety. An elderly lady who has lost her son tries to talk some sense into her fellow citizens urging them to accept peace.
To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.
This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.
See how the world’s most influential chefs battle food waste through the eyes of chef-heroes like Massimo Bottura, Dan Barber and Danny Bowien.
The Last Animals is a story about an extraordinary group of people who go to incredible lengths to save the planet's last animals. The documentary follows the conservationists, scientists and activists battling poachers and transnational trafficking syndicates to protect elephants and rhinos from extinction. From Africa's front lines to behind the scenes of Asian markets, the film takes an intense look at the global response to this slaughter and the desperate measures to genetically rescue the Northern White rhinos who are on the edge of extinction.
Deep in the Amazon, the population of the indigenous pink river dolphin is dwindling. Docile and easy to catch, this near-mythical animal is being hunted to extinction and used as bait for scavenger fish. But two activists are each working tirelessly to raise awareness and protect the species. On the one hand a marine biologist and on the other a famous TV star, each has their own very different approach to their one common goal.
Fusing history, culture, politics, and contemporary issues, Motherland sweeps across Africa to tell a new story of a dynamic continent. From the glory and majesty of Africa's past through its complex history. Africa as you have never seen it.
This film is about the greatest rip-off in history - the very way money and debt are created and controlled. This affects everyone on the planet, and is the basic cause of all of our economic problems today. Until we all recognize this - in every nation - there is nothing any national government does will fix the problem, and all of us will see mounting debts and sinking standards of living. Our children will inherit this mess, and it will get worse every single year. The truth is that depressions are NOT normal. They are contrived. The truth is that nations don't need a national debt. The truth is that nations don't have to borrow. Why would you borrow when you can create the money you need? The truth is that governments generally aren't PRINTING money wildly; governments are BORROWING money wildly. The good news is we CAN fix this. It won't take a war or a revolution; it only takes a simple understanding of the problem, and its simple solution. The truth is that ANYONE can
HISTORY brings you an all-encompassing documentary event cantered around the 25th anniversary of the LA Riots, the most destructive riot in American history that left 53 people dead and caused over a billion dollars in damage.
Capturing Americans in communities across the country as they wrestle with the legacy of the coal industry and what its future should be under the Trump Administration. From Appalachia to the West’s Powder River Basin, the film goes beyond the rhetoric of the “war on coal” to present compelling and often heartbreaking stories about what’s at stake for our economy, health, and climate.