A documentary spotlighting "car-art" in America.
Social & External
Himself - Cosmic Ray Deflection Car
Himself - Super Coupe
Himself - Postcard Truck
Himself - Jewel Box
Himself - DC 6 & DC 13
THE WILD WORLD OF TED V. MIKELS, a new documentary by Kevin Sean Michaels (no blood relation to Ted, but the same spirit), is a rollicking look at the independent cinema and film pioneering of Ted V. Mikels, who has been producing films for over 60 years. Way before limited-budget action films became termed as "grindhouse," Ted was wowing audiences with his own special brand of guts, gore, humor, violence and most of all -- style. THE CORPSE GRINDERS 1 + 2, THE ASTRO-ZOMBIES, 10 VIOLENT WOMEN, MISSION: KILLFAST, THE BLACK KLANSMAN, THE DOLL SQUAD, THE WORM EATERS and GIRL IN GOLD BOOTS are some of Ted's films that have made their cinematic mark.
A man sends a young architect to build an extravagant garden to bankrupt the husband of the woman he once loved.
Recently divorced, aspiring filmmaker Helen (Jennifer Rubin) enters into a love triangle fueled by sexual hunger and manipulation. But as she attempts to define herself and fulfill her wants and needs, she must choose between her independence and her men. As Helen's exploits with controlling lover Paul (Michael Cerveris), casual beau Randy (Grant Show) and friend Donald (Lance Edwards) become fodder for her script, her choice becomes clear.
Families in an idyllic suburban neighborhood are taunted by a mysterious doctor who moves in to town and spins a web of psychological chaos that changes their lives forever.
Three vampires wander the streets of Melbourne killing, screwing and taking drugs. They decide to carry out a heist, stealing three million and attracting the attention of various psychotics, who chase them through a blood spattered odyssey into the Melbourne underground.
Let's Make a Movie is the story of Cassie Thompson (Played by Hallie York), a college dropout and ex-film student who is tired of being disrespected and downtrodden, has decided that she's had enough. In a subconscious effort to turn her life around, she decides to make a movie with a rag-tag group of friends. The only problem is the movie is impossible for her to film without a $100 million budget, and her cast and crew are neurotic and inexperienced, to say the least. Will Cassie prevail and finish her movie, or will this become another mark on her long list of failures?
A young adult's first-hand account of "accidentally becoming human again" after, and with, trauma induced depression. Lo-fi, vulnerable, and uniquely youthful, "The Afterlife" is a melancholic affirmation of life after death.
Biographical film about the life and work of the Belgian painter Jan Cox. Cox had a tempestuous youth, during which he co-founded the Jeune Peinture Belge group and worked on the fringes of the Cobra movement.
Taking an investigative look into the legal battles of the global superstar. Close friends, former staff and researchers paint an intimate portrait of Jackson's complicated world and put allegations of sexual abuse under the microscope. The film defends American singer Michael Jackson against allegations of child sexual abuse made in the documentary Leaving Neverland.
A blue-collar family man breaks the promise he'd made to never fight again. Now forty years old, with a wife and four children who need him, Joe Carman risks everything to go back into the fighting cage and come to terms with his past.
Director Marc Levin travels to Chicago with hip-hop legend Chuck D (from Public Enemy) and Marshall Chess (son of Leonard Chess and heir to the legacy of Chess Records) to explore the heyday of the Chicago blues and how they come together to produce an album that seeks to bring veteran blues players along with contemporary hip hop musicians. Along with never before seen footage from Howlin 'Wolf, Muddy Waters and Paul Butterfield Blues Band, they are original performances by Koko Taylor, Otis Rush, Magic Slim, Ike Turner and Sam Lay.
From archival photographs that testify to years of political violence in Peru, the film builds an analytical narrative that combines the artist’s memory and that of José Pablo Baraybar, head of the Peruvian team of forensic medicine.
RAISING RENEE is the story of a family's remarkable response to being broken apart and rearranged after nearly 50 years. The film explores deep themes of family, race, class and disability through the interplay of painting, cinema and everyday life. Produced and directed by Oscar nominees Jeanne Jordan and Steven Ascher, RAISING RENEE is the third part of a trilogy about resilient families that includes their acclaimed feature documentaries So Much So Fast and Sundance Grand Jury Prize winner Troublesome Creek. RAISING RENEE is about a unique group of women, the tenacity of family bonds and the power of art to transform experience into something beyond words.
Life in the spotlight is the stuff of dreams. With the world at your feet, conquering the global stage can leave the biggest superstars in the world feeling unstoppable. But dreams can turn to nightmares faster than anyone can possibly imagine. Join us as we take a look at ten giants of the music industry, from Elvis to Lennon, that were taken from us. Some sudden, some unexpected and some shrouded in mystery. This is Most Shocking Celebrity Deaths Of All Time.
In an exclusive new documentary, Max Blumenthal rips the cover off the media deceptions and atrocity hoaxes Israel pushed after October 7 to create political space for its gruesome assault on the Gaza Strip. Blumenthal exposes the US mainstream media's role as a megaphone for the Israeli government, introducing new lies even after their initial ones were debunked. Atrocity Inc raises serious questions about the official narrative of October 7, while revealing how Israel's army has consciously engaged in the same hideous atrocities which it falsely accused Palestinian militants of committing.
Andrew Richter shares odd celebrity encounters from his years of working in hotels.
An intimate look at the Woodstock Music & Art Festival held in Bethel, NY in 1969, from preparation through cleanup, with historic access to insiders, blistering concert footage, and portraits of the concertgoers; negative and positive aspects are shown, from drug use by performers to naked fans sliding in the mud, from the collapse of the fences by the unexpected hordes to the surreal arrival of National Guard helicopters with food and medical assistance for the impromptu city of 500,000.
A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.
Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.
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