Dealing heavily with perceptions of time, Aeon documents the urban cityscape as Wellington transforms through a zen-influenced eternal cycle of birth, life, death and rebirth within a 24-hour period.
Social & External
A Zen priest in San Francisco and cookbook author use Zen Buddhism and cooking to relate to everyday life.
Someone Else’s Country looks critically at the radical economic changes implemented by the 1984 Labour Government - where privatisation of state assets was part of a wider agenda that sought to remake New Zealand as a model free market state. The trickle-down ‘Rogernomics’ rhetoric warned of no gain without pain, and here the theory is counterpointed by the social effects (redundant workers, Post Office closures). Made by Alister Barry in 1996 when the effects were raw, the film draws extensively on archive footage and interviews with key “witnesses to history”.
The story of unemployment in New Zealand and In A Land of Plenty is an exploration of just that; it takes as its starting point the consensus from The Depression onwards that Godzone economic policy should focus on achieving full employment, and explores how this was radically shifted by the 1984 Labour government. Director Alister Barry's perspective is clear, as he trains a humanist lens on ‘Rogernomics' to argue for the policy's negative effects on society, as a new poverty-stricken underclass developed.
In the last fifty years the culture of Zen has spread far beyond Japan. Zen centers and zen retreats have sprung up throughout America and Europe. When Dogen, the founder of Soto Zen, brought Zen to Japan from China 800 years ago, it quickly took root and became an integral part of Japanese life. Yet what do we know about zen practice in Japan today? The Zen Mind is a fascinating journey across Japan to explore zen in its natural habitat.
In 1966 a group of determined young men defied the New Zealand government and launched a pirate radio station aboard a ship in the Hauraki Gulf.
On 28 November 1979, an Air New Zealand jet with 257 passengers went missing during a sightseeing tour over Antarctica. Within hours 11 ordinary police officers were called to duty to face the formidable Mount Erebus. As the police recovered the victims, an investigation team tried to uncover the mystery of how a jet could fly into a mountain in broad daylight. Did the airline have a secret it wanted to bury? This film tells the story of four New Zealand police officers who went to Antarctica as part of the police operation to recover the victims of the crash. Set in the beautiful yet hostile environment of Antarctica, this is the emotional and compelling true story of an extraordinary police operation.
The Living Sea celebrates the beauty and power of the ocean as it explores our relationship with this complex and fragile environment. Using beautiful images of unspoiled healthy waters, The Living Sea offers hope for recovery engendered by productive scientific efforts. Oceanographers studying humpback whales, jellyfish, and deep-sea life show us that the more we understand the ocean and its inhabitants, the more we will know how to protect them. The film also highlights the Central Pacific islands of Palau, one of the most spectacular underwater habitats in the world, to show the beauty and potential of a healthy ocean.
A documentary about the history of settler groups that came to New Zealand from Europe.
A short documentary about freestyle skiing made for the New Zealand Tourist and Publicity Department.
Olympic Champion, Kiwi Icon, Tongan Leader, Orphan, Mother...winning was just part of the journey.
Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.
A visual essay on contemporary Kiwi architecture.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.
Covers the 12-week-long strike at Kinleith Pulp and Paper Mill, owned by New Zealand Forest Products in January 1980.
Here's a strange one. First, a song on a blackboard: a Polish translation of “I love my little rooster” by American folk writer Almeda Riddle. Then, two men roll around trash bins and lift them to the garbage truck. They do it several times. A woman shouts in the distance. At the end, the picture stops, and the woman sings the song. An early short by Piotr Szulkin.
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