Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
Social & External
Self (archive audio) (uncredited)
In search of the lucrative matsutake mushroom, two former soldiers discover the means to gradually heal their wounds of war. Roger, a self-described 'fall-down drunk' and sniper in Vietnam, and Kouy, a Cambodian refugee who fought the Khmer Rouge, bonded in the bustling tent-city known as Mushroom Camp, which pops up each autumn in the Oregon woods. Their friendship became an adoptive family; according to a Cambodian custom, if you lose your family like Kouy, you must rebuilt it anew. Now, however, this new family could be lost. Roger's health is declining and trauma flashbacks rack his mind; Kouy gently aids his family before the snow falls and the hunting season ends, signaling his time to leave.
Directed by Marion Grierson, who ran the film unit of the Travel and Industrial Development Association (TIDA), this short film contains some fine photography of the delights on offer to Edinburgh visitors - including trams, bustling streets, restful parks and some familiar tourist sights.
London at its best? This gorgeously photographed portrait of the capital was made by Marion Grierson, sister of the more famous John Grierson, often hailed as the father of documentary film. The film transcends the typical travelogue thanks to the photography of William Shenton and Grierson's poetic approach to editing - which prefigures modern films like the acclaimed From the Sea to the Land Beyond (2012). The film achieved international fame at the time of its original release, yet Marion Grierson is almost completely overshadowed in the history of British documentary film by her brother John.
Conflict between man and machine has been a science fiction staple for over a century. From 2001: A Space Odyssey to The Terminator the perceived threat posed by super-intelligent robots has been exploited by Hollywood for decades. But do advances in Artificial Intelligence mean we are now facing a future in which that threat could become a reality?
The evolution of the zombie from its roots in Haitian voodoo to its coveted role as the world's most popular monster: from being a clumsy corpse to becoming a cannibal killer and the main agent of every infectious pandemic, the zombie has come a long way in seventy years. A look at the rising tide of zombie culture examining why something so dead has so much life in viewers' nightmares and at the box office.
In a war that has left more than 25,000 wounded, ALIVE DAY MEMORIES: HOME FROM IRAQ looks at a new generation of veterans. Executive Producer James Gandolfini interviews ten Soldiers and Marines who reveal their feelings on their future, their severe disabilities and their devotion to America. The documentary surveys the physical and emotional cost of war through memories of their "alive day," the day they narrowly escaped death in Iraq.
Photographed by an all-female crew and directed by the author of Sexual Politics, these are autobiographical interiews with three very different women who talk frankly about their lives, conflicts, and contrasting life styles.
An award-winning feature-length documentary narrated by Golden Globe nominee Blair Underwood, FIRST GENERATION tells the story of four high school students - an inner city athlete, a small town waitress, a Samoan warrior dancer, and the daughter of migrant field workers - who set out to break the cycle of poverty and bring hope to their families and communities by pursuing a college education. Shot over the course of three years and featuring some of our nation’s top educational experts (Richard Kahlenberg, The Century Foundation; J.B. Schramm, College Summit; Dr. Bill Tierney, University of Southern California), this 95 minute documentary explores the problem of college access faced by first generation and low-income students and how their success has major implications for the future of our nation.
Niels Stokholm is one of the most idealistic farmers in Denmark. He runs the biodynamic farm with his wife, Rita, and from their farm, Thorshøjgaard, they distribute products to some of the best restaurants in the world.But not everyone is equally fond of Thorshøjgaard and their holistic methods. Authorities and bureaucracy threaten to close down the farm. Phie Ambo follows their struggle to make sure that they are not the last to do agriculture the way they do, but some of the first.
Part documentary, part expose, this film follows one-time child evangelist Marjoe Gortner on the "church tent" Revivalist circuit, commenting on the showmanship of Evangelism and "the religion business", prior to the start of "televangelism". Preserved by the Academy Film Archive in 2005.
A Chippewa prophecy foretells a time called the 7th Fire when lost traditions will be recovered. Native American filmmaker Sandra Sunrising Osawa examines how the Chippewa Indians of Northern Wisconsin have struggled to restore the centuries-old tradition of spearfishing — and the heated opposition they have encountered.
Florida Justice Transitions is home to 120 convicted sex offenders. Like in many other U.S. states, sex offenders are not allowed to live within 1000 feet of places frequented by children. Because of this, many sex offenders live under bridges or in woods – or in Palace Mobile Home Park – known as Pervert Park. The crimes committed by the residents range from simple misdemeanors to horrendous acts unbearable to contemplate.
Directed and edited by Stanley Kubrick's daughter Vivian Kubrick, this film offers a look behind the scenes during the making of The Shining.
Essie Coffey gives the children lessons on Aboriginal culture. She speaks of the importance of teaching these kids about their traditions. Aboriginal kids are forgetting about their Aboriginal heritage because they are being taught white culture instead.
A moving account of the experiences of men exonerated after years, and sometimes decades, in prison following newly found DNA evidence.
With the instant reach of social media and explosion in cyber porn, a child sex slave can be purchased online and delivered to a customer more quickly than a pizza. Stopping Traffic: The Movement to End Sex Trafficking starts the conversation on a taboo topic – with raw images of life on the streets, heart-pounding rescues and gut-wrenching, personal stories – ultimately offering a story of hope and empowerment, with the goal of engaging others in launching a movement to end modern-day slavery. With 27 million victims, human trafficking is the 2nd largest criminal enterprise in the world. Not just a back-alley enterprise in underdeveloped regions, it’s also prevalent in the U.S. and industrial nations. Stopping Traffic takes an unflinching, first-hand look at this shadowy underworld, telling the shocking story through the eyes of survivors, veteran activists, front-line rescue organizations and celebrities who support the cause, including Dolph Lundgren and Jeannie Mai.
This film is about Japanese women, escape, glamour and dreams. The Takarazuka Revue is an enormously successful spectacular where the all-women cast create fantasies of erotic love and sensitive men. It is also a world for young girls desperate to do something different with their lives. In return for living a highly disciplined and reclusive existence, they will be adored and envied by many thousands of Japanese women. They will look, act and behave like young men while having no real men in their lives. Dream Girls explores the nature of sexual identity and the contradictory tensions that face young women in Japan today.
When twenty-six-year-olds Shainee Gabel and Kristin Hahn quit their Hollywood jobs, packed up a borrowed car and hit the road, it was with the deeply felt conviction that somewhere, shrouded in the din of talk shows and tabloid headlines, they'd discover the real America, alive and well in all of its regions and demographics.
The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.
China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.