Baby Face

A young woman uses her body and her sexuality to help her climb the social ladder, but soon begins to wonder if her new status will ever bring her happiness.

Parafrázis

A man's thoughts on the female soul, while the woman he covets appears everywhere in the form of famous paintings, and eventually leads him to his doom.

Beyond Good and Evil

The German philosopher Friedrich Nietzsche and his Jewish companion Paul Ree meet a beautiful young Russian intellectual and draw her into a ménage-à-trois.

Nietzsche in Russia

Friedrich Wilhelm Nietzsche never went to Russia – yet he was always fascinated by this mysterious country and wanted to visit it. This film gives him the possibility to do so after all. However, Nietzsche doesn’t arrive in 19th century Russia, but in a modern country which has been trying for years to create the civilization described by Nietzsche 150 years ago.

Days of Nietzsche in Turin

A cinematographic essay, without dialogues, about the months Nietszche spent in Turin, Italy, with narration quoted by his original writings.

Blazing Saddles

A town—where everyone seems to be named Johnson—stands in the way of the railroad. In order to grab their land, robber baron Hedley Lamarr sends his henchmen to make life in the town unbearable. After the sheriff is killed, the town demands a new sheriff from the Governor, so Hedley convinces him to send the town the first black sheriff in the west.

My Friend Friedrich

My Friend Friedrich opens on awkward, bespectacled Columbia student Nate having a heart to heart on the phone with his mother. Then, in a philosophy class, he almost succeeds in landing a date by lobbing an illustrated invitation at his love interest, Emma. All goes awry when a taller, more confident, bespectacled Columbia student cuts him off at the knees. So far, so very New York student film, but a conceit arrives to distinguish this story of Ivy League dating woes: the ghost of Friedrich Nietzsche appears before Nate to guide him towards self-actualization.

The Ballad Of Adam

When God killed Man, it was God's suicide, When Man killed God, it was the birth of a new God.

Son of Mongolia

A strange film as beautifully jumbled as the political environment out of which it sprang, like a handsome weed, "Son of Mongolia" is a travelogue of unique and authentic richness, an amusing Far Eastern horse opera of picaresque character, and a scientifically valuable anthropological document in which the Soviet film industry may well take pride. Objective and modern, yet permeated with a fresh folk quality that goes back to the reckless and lovely Tartary of Genghis Khan, it rises above all its inescapable Soviet-isms into a new frontier region of plains, mountains, tents and herds, a world still appreciably beyond the range of Western cameras.

Shepard

A troubled teen crosses paths with a charismatic, dangerous stranger and it becomes the worst decision in both of their lives.

Ghalandar

Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...

Palangal

Usha (Zarina Wahab) comes to her sister's house for relief from a terrible tragedy of her life which is the accidental death of her lover Ravi played by Shankar. In the new place, she meets Ramankutty, played by Nedumudi Venu, who is the friend of Vasu Menon (Bharath Gopi), husband of her sister. Their friendship eventually turns into love, but Ramankutty's mother does not allow this proposal. Usha slowly realizes that Vasu Menon's feelings for her are wayward, but she does not tell her sister as she fears that this will ruin their family. So Usha decides to go back to her home, on the way she meets Ramankutty, who has convinced his mother about marrying Usha.

Venkalam

Story of two brothers

The crumbs of the world

A captain trusts his only son in the hands of a girl, for which he believes is one that correspond.

Slaves of fate