Social & External
The film explains the French Revolution of 1848. Bernard Blier's narration is supported by pictures once drawn by contemporary artists including Honoré Daumier. Preserved by the Academy Film Archive in 2010.
The revolutionary year of 1848 brought great hopes among the hitherto silent classes, awakening social and national hopes. The response also penetrated the remote countryside, even as far as the Podkrkonoše Mountains. The young shoemaker there began to take an interest in social and political events, and he also experienced disappointment in later developments.
The Czech revival movement is divided at the end of the first half of the 19th century. While the older generation, such as František Palacký, urges restraint, students lean towards radical positions. A report on the revolutionary events in Paris prompts Czech Prague residents to write down the demands of the Czech nation for self-determination and the proclamation of a constitution. Tensions peak during the All-Slavic Congress in Prague's Žofín. Vienna rejects the Czech demands and the congress is brutally dispersed by the Austrian police. Prague begins to build barricades...
The film tells the story of a regiment of Hungarian hussars stationed in Poland. The hussars, mostly ordinary men, have heard news of the uprising and wish to return to the homeland to defend the newly independent country. The Empire, on the other hand, is firmly resolved that all Hungarian troops in the imperial army should be kept as far away from the trouble spot as possible, knowing that most soldiers would be loyal to Budapest rather than Vienna.
The plot is based on the creation of an illegal Marxist printing house in Chisinau in 1901, which reprinted the newspaper Iskra and other underground literature.
About the romantic youth of the legendary commander, hero of the Civil War G.I.Kotovsky (1881-1925). An inexperienced fighter against landlord arbitrariness becomes a professional revolutionary under the influence of revolutionary events in Russia.
After the attack on Pearl Harbour, President Eisenhower committed to a reigme of ruthlessness. The blood of Americans would not have been spilt in vein and what followed was a furious and vicious series of retaliation strikes at key point around the world.
The Umbrella Movement was a wave of street protests that took place in Hong Kong from September to December 2014 as a reaction to oppressive practices of the Chinese government against the citizens of Hong Kong dissatisfied with planned changes in the electoral system. In her feature film debut, To Liu captured the citizens of the western part of Kowloon, Mong Kok, whose protests might not have been as visible as those of the leading activists, but were no less important. The documentary rhythmized by opening entries and darkening of the scene, much like the director’s first film, follows two characters, a master and an apprentice.
Award-winning investigative journalists and forensic engineers analyze never-before-seen evidence that indicates NASCAR legend Tony Stewart killed a competitor after accelerating his car and fishtailing it toward the defenseless man.
This last testimony of Robert Kramer (1939-1999) is a moving documentary with the independent American film director, in which he speaks of his political activism, his way of filmmaking, his relationship with Portugal and the revolutionary movements.
It is a cold case that after 50 years still haunts Italy today - an epic travesty of justice shrouded in mystery and deception involving he ritualistic serial murder of eight young couples in the country lanes around Florence in the 1980s.
A docudrama on John F. Kennedy's early travels through Europe with his best friend Lem Billings. A road trip that would lay the foundation for JFK's later love for Europe and its countries, such as Germany.
In 1904, the Kazakh wrestler Hajja Mukan, inspired by the successes of the Russian hero Ivan Poddubny, the world champion in French wrestling, decided to perform on the big stage.
As in a long suite, the cinematographic story of a country, Italy, in its current physiognomy, in a film made only of images and music. A home atlas of wonders that are sometimes misunderstood and of places known, loved and often lost. And of people cultured in their living in a highly stratified territory, between the still usable grandeur of the past and the apparent stasis of the present. A country marked by strong inequalities and nevertheless in continuous transformation in the difficult race towards sustainable development, problematically suspended between the old and the new and the increasingly difficult search for a balance to safeguard its éthos.
In the middle of the 1800s Swedish prince Gustaf meets the actress Anna Maria Wastenius and falls in love with her, but it is an impossible love story due to the rules of society.
