A celebration of the 30+ year legacy of the Child's Play franchise and iconic character, Chucky, with never-before-seen interviews with franchise creator and actors.
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A short promotional film on the making of “The Wiz” (1978). Includes a brief history of Oz portrayals in film and behind the scenes interviews.
A behind-the-scenes look at the creation of Walt Disney Animation Studios' MOANA, as aided by the Oceanic Story Trust.
Join director Clint Eastwood and his creative team, along with Bradley Cooper and Sienna Miller, as they overcome enormous creative and logistic obstacles to make a film that brings the truth of Navy SEAL Chris Kyle's story to the screen.
A humorous documentary on the making of Alex Cox's punk biopic SID AND NANCY. Features exclusive behind the scenes production and commentaries from Alex Cox, Gary Oldman, Chloe Webb, David Hayman, Eric Fellner and more...
Some time after the events of The Ring, a subculture of people voluntarily watch Samara Morgan's video and wait to see how close to the seven-day deadline they can get before showing it to the next person. They record everything they see and share their experiences on a secret website dedicated to the videotape. No one has ever recorded a day seven.
A short biography of life of St Thomas More. Contains clips from the 1966 feature film "A Man For All Seasons."
An interview with actor Virginia Madsen about her work in Candyman (1992).
Amy Steel discusses her part in the Friday the 13th franchise
Homeo is a mental construction made from visual reality, just as music is made from auditive reality. I put in this film no personal intentions. All my intentions are personal. I’ve made this film thinking of what the audience would have liked to see, not something specific that I wanted to say: what the film depicts is above all reality, not fiction. Homeo is, for me, the search for an autonomous cinematographic language, which doesn't owe anything to traditional narrative, or maybe everything. Cinema is, above all, part of a way of life which will become more and more self-assured in the years and century to come. We are part of this change, and that’s why I tried in Homeo to establish a series of perpetual changes, in constant evolution or regress, which tries, above all, to focus on things.
[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual.
An inside look at the making of the movie Star Wars: Episode VII - The Force Awakens (2015), featuring footage and exclusive interviews with the actors and filmmakers.
Featurette on the making of Hellraiser.
"With characteristic wit and rigor, experimental filmmaker Larry Gottheim here applies his impressionistic editing style to footage collected during his travels in the Dominican Republic. Gottheim’s formal emphasis on repetition and fissures between sound and image resonates here as a mode of sociological reflection (with the fragmentary montage mirroring elements of ritual while also destabilizing the ethnographic gaze). A largely overlooked antecedent to the contemporary blending of avant-garde and ethnographic filmmaking, MACHETTE GILLETTE… MAMA still poses a potent challenge to documentary convention." - Max Goldberg
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
Ignoring the admonitions of locals, journalist John Miller heads out alone to explore the remnants of Buffalo City, once the busiest town in the area but now merely a pile of dilapidated ruins amidst the encroaching swampland. Are the tales of strange apparitions and deadly encounters merely musings from tale-telling old timers, or will Miller uncover something darker, something that may cost him his life?
An anatomy of violence. Four young men and two young women are on a drive. There's a rivalry between two guys for one of the girls. On a remote road, the car stalls. The driver hitchhikes for help. Led by the intrepid girl, the others walk toward abandoned buildings, perhaps a mining operation. One of the three guys sits and reads. The intrepid one explores the building and sees something that scares her. She screams; the two rivals and the second girl run to find her. Something she says starts a fight between her two suitors. The one reading a book walks away in disgust. After stopping the fight, the two young women follow. How can this end? Preserved by the Academy Film Archive in 2005.
In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.
Dekeukeleire's film evokes the notion of impatience via fragmented images of a revving motorcyle, a woman's expressions, and roads of a mountainous landscape.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
A filmmaker who grew up alongside Chucky the killer doll seeks out the other families surrounding the Child's Play films as they recount their experiences working on the ongoing franchise and what it means to be a part of the, "Chucky" family.
The definitive zombie culture documentary, brought to the screen by the makers of THE PEOPLE vs. GEORGE LUCAS.
Delving into a century of genre films that by turns utilized, caricatured, exploited, sidelined, and finally embraced them, this is the untold history of black Americans in Hollywood through their connection to the horror genre.
A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.
A chef's life is upended when a jet-setting, champagne-sipping, hotel-hopping woman claims to be his long-lost mother. This documentary reveals the untold story.
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
Follow the evolution of the 'Halloween' movies over the past twenty-five years. It examines why the films are so popular and revisits many of the original locations used in the films - seeing the effects on the local community. For the first time, cast, crew, critics and fans join together in the ultimate 'Halloween' retrospective.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A malevolent being known as The Jester terrorizes the inhabitants of a small town on Halloween night, including two estranged sisters who must come together to find a way to defeat this evil entity.
The ultimate ‘80s Horror retrospective just got BIGGER. In Search of Darkness: Part II is a four-hour-plus sequel to the Rondo Hatton-nominated In Search of Darkness, adding 15 new interviewees and 40+ returning favorites for the biggest and most comprehensive ‘80s Horror documentary cast ever assembled.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
This revealing documentary honors the legendary Sidney Poitier—iconic actor, filmmaker, and civil rights activist. Featuring interviews with Denzel Washington, Spike Lee, Halle Berry, and more.
A tribute to Chadwick Boseman, celebrating his life and legacy.
From the heights of her modeling fame to her tragic death, this documentary reveals Anna Nicole Smith through the eyes of the people closest to her.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.
A behind the scenes look into George Romero's groundbreaking horror classic Night of the Living Dead.