Using only rare archival and newsreel footage, this film tells the story of Palestine from the nineteenth century through current times.
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Five broken cameras – and each one has a powerful tale to tell. Embedded in the bullet-ridden remains of digital technology is the story of Emad Burnat, a farmer from the Palestinian village of Bil’in, which famously chose nonviolent resistance when the Israeli army encroached upon its land to make room for Jewish colonists. Emad buys his first camera in 2005 to document the birth of his fourth son, Gibreel. Over the course of the film, he becomes the peaceful archivist of an escalating struggle as olive trees are bulldozed, lives are lost, and a wall is built to segregate burgeoning Israeli settlements.
Free access to the Gaza Strip has remained closed to international journalists since the war began on October 7, 2023. AFP's permanent reporters are among the few professional witnesses to have experienced this conflict from the inside. They have watched, filmed, photographed, testified, all whilst struggling to ensure their own survival. From their exile, they recount this war, which is the deadliest ever recorded for members of the press.
The last years have seen a steep rise in the number of Arabs signing up to Israel's army. Considered traitors by many in the Arab community, what drives these young men to fight for a country traditionally in conflict with Arab interests? Does this provide a path for Israeli/Arab integration? In this insightful doc, we follow the first Arab battalion fighting for Israel.
The story of the Russian-born, Wisconsin-raised woman who rose to become Israel's prime minister in the late 1960s and early 1970s.
Yousry Nasrallah's powerful adaptation of Lebanese writer Elias Khoury's epic novel of fifty years of Palestinian dispossession, exile, and resistance. The film follows the flight of Younes, his wife Nahila, and those around them, from their village in northern Palestine to a refugee camp in Lebanon. Some vow to continue the struggle, most simply struggle to survive. Unsparingly detailing the impact of the nakba (disaster) on Palestinian life and society and the refugees' often-contentious relationship with their reluctant Lebanese hosts, Gate of the Sun spans generations, mixing personal stories with historical events.
The pro-Palestinian, anti-capitalist, BDSM-provocative, techno-punk performance art ensemble Hatari unsurprisingly drew attention to themselves with their performance at the Icelandic qualifiers for the Eurovision Song Contest. So much so that they won and therefore were allowed to perform at the main event in Tel Aviv. But what now? Should they boycott the event, swallow their idealism, or use their airtime to criticise the host country for their illegal occupation of Palestine? The Icelandic director Anna Hildur joins the boys in the band all the way to the fateful final.
In May 1974, the Israeli Air Force carried out an extermination operation against the Palestinian refugee camp Nabatiyeh. With this as a starting point, it is reviewed how the last 50 years of Zionist colonization of Palestine have partly led to the establishment of the state of Israel, partly to the expulsion of a people, the Palestinians, from their land. The film shows scenes of daily life in Palestinian refugee camps. We hear various of the inhabitants talk about their desire to return to their country, and we follow how the resistance movement works to free women from their traditional backward role. At the same time, the emergence of the armed resistance struggle is analysed, and the significance of the latest military technological developments for guerilla wars in the 3rd world is explained.
Free Fish is a short documentary filmed over the course of a year in Gaza, following two brothers — Abu Nagham and Ahmad — separated by war yet connected by the sea. Displaced from their home, Abu Nagham now lives in a tent in the south, fishing with his young nephew Rami, who lost his twin brother. Ahmad remains in the north, fishing amid ruins and occupation. Once a source of livelihood and freedom, the sea has become a battleground — heavily restricted, constantly watched, and always dangerous. Through intimate footage and poetic observation, the film captures the everyday courage required to cast a net, mend a line, or share a meal. Fishing becomes an act of survival, resistance, and hope. Co-directed by Bisan Owda (Peabody Award 2024) and Carolina Pereira, Free Fish offers a deeply personal and universal story of resilience in the face of erasure — a quiet tribute to a people who refuse to be forgotten.
Liat Atzili was kidnapped from her kibbutz on October 7. What begins as a chronicle of her parents, sister, and children's efforts to secure her return, becomes a portrait of conflicting impulses towards anger, indifference, and compassion straining the bonds of one grieving family.
Breaking Ranks: Inside Israel’s War presents the first-hand recollections of IDF soldiers who have broken official silence to share their experiences of the war in Gaza - accounts that may raise serious questions about conduct on the ground and potential breaches of international law. Directed by award-winning filmmaker Ben Zand, the film features exclusive interviews with Israel Defense Forces (IDF), reservists and veterans - many speaking for the first time - who served during the war in Gaza. Their testimonies describe what they recall as indiscriminate bombardment, instances where Palestinian civilians were used as human shields, and an operational culture that some soldiers characterised as “no innocents in Gaza.”
When the running team of Viva Salud, a Belgian NGO fighting for the right to health, went to Bethlehem to participate in the Palestine Marathon, they didn’t yet know that they would do much more than just running. From Ramallah to Hebron, from Nablus to Bethlehem, their encounters with Viva Salud’s local partners helped them gain a better understanding of the situation in the region and discover the daily reality of the Israeli occupation. While getting to know resistance in all its forms, along with the beauty of Palestine, they tried to capture this in a documentary vlog of their journey—a cocktail of rebellion, solidarity, and collective resistance.
During May 2001, Chilean filmmaker Miguel Littin traveled through historic Palestine, documenting everyday life amid the war—more precisely, the existential distance between a child throwing stones with a slingshot and tanks filled with artillery.
Soraïda is a Palestinian woman living in Ramallah, in the occupied territories. In this city under siege and a strict curfew, she fights her own battle: despite the military occupation, violence and oppression, she is determined not to lose her humanity.
Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.
Gaza Fights for Freedom depicts the ongoing Great March of Return protests in the Gaza Strip, occupied Palestine, that began in 2018.
Archival film maestro Göran Hugo Olsson has assembled—from a vast catalogue of footage in the vaults of Sweden’s national television service SVT—accounts of the Israeli-Palestinian conflict as witnessed and represented by Swedish journalists. Stories of the beginning of the Israeli state interwoven with the Palestinian struggle for independence. News coverage with Yasser Arafat and interviews with Israeli foreign minister Abba Eban during a visit to Sweden unseen since first broadcast. From the tenth anniversary of Israel’s founding to the First Intifada, perspectives and encounters with statesmen, civilians, revolutionaries, and intellectuals tell the story from myriad angles of an evolving media landscape, revivifying a history of the ongoing conflict.
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
2003 documentary film produced by Oliver Stone for the HBO series America Undercover about the conflict in occupied Palestine. He speaks with Ehud Barak and Benjamin Netanyahu, former prime ministers of Israel, Yasser Arafat, late president of the Palestinian National Authority, and various Palestinian activists resisting the oppression of the zionist regime.
During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. The film follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.
This deeply affecting documentary follows a small number of Israelis and Gazans through the most dramatic and tragic year of their lives. Using personal and previously unseen footage, it tells the story of the war in Gaza and the October 7 attacks through deeply emotional stories from both sides of the conflict. In Gaza, the film follows three individuals from reaction to the October 7th attacks to the start of the bombing by the Israeli military and to the loss of family members that all three suffer. In Israel, we witness footage of the Israeli characters, as they and their family members are attacked by Hamas on October 7th and then follow their stories through the year.
Director Claude Lanzmann spent 11 years on this sprawling documentary about the Holocaust, conducting his own interviews and refusing to use a single frame of archival footage. Dividing Holocaust witnesses into three categories – survivors, bystanders, and perpetrators – Lanzmann presents testimonies from survivors of the Chelmno concentration camp, an Auschwitz escapee, and witnesses of the Warsaw Ghetto Uprising, as well as a chilling report of gas chambers from an SS officer at Treblinka.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
The history of cinematic sound, told by legendary sound designers and visionary filmmakers.
Cameramen and women discuss the craft and art of cinematography and of the "DP" (the director of photography), illustrating their points with clips from 100 films, from Birth of a Nation to Do the Right Thing. Themes: the DP tells people where to look; changes in movies (the arrival of sound, color, and wide screens) required creative responses from DPs; and, these artisans constantly invent new equipment and try new things, with wonderful results. The narration takes us through the identifiable studio styles of the 30s, the emergence of noir, the New York look, and the impact of Europeans. Citizen Kane, The Conformist, and Gordon Willis get special attention.
Experience the iconic rock band's legacy in the first major documentary to tell their story. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage.
A behind the scenes look into George Romero's groundbreaking horror classic Night of the Living Dead.
Oliver Stone charts the history of the United States from the Second World War to the present.
A collection of restored prints from the Lumière Brothers.
In this genre-bending tale, Errol Morris explores the mysterious death of a U.S. scientist entangled in a secret Cold War program known as MK-Ultra.
The film is based on interviews with 2,000 women from 50 countries, and covers the status of women all over the world. The topics covered include forced marriages, sexual assault, female genital mutilation, acid attacks, motherhood, sexuality, menstruation, education and the professional success of women.
Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.
Diaries, audiotapes, videotapes and testimonials from friends and colleagues offer insight into the life and career of Gilda Radner -- the beloved comic and actress who became an icon on Saturday Night Live.
An unprecedented and intimate look at the life, work and enduring legacy of British actress Audrey Hepburn (1929-1993).
Those who knew iconic funnyman John Candy best share his story, in their own words, through never-before-seen archival footage, imagery, and interviews.
The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
A non-narrated documentary following the lovesome lives of four infants from birth to their first birthday. The babies featured are two from rural areas: Ponijao from Opuwo, Namibia, and Bayar from Bayanchandmani, Mongolia, as well as two from urban areas: Mari from Tokyo, Japan, and Hattie from San Francisco, USA.
With the departure of the Bush Administration and the arrival of an “era of transparency,” opportunities are arising for the disclosure of new information that may shed more light on the events that took place before and after 9/11/2001. Loaded with powerful, new footage and in-depth interviews this documentary presents a wide array of evidence both known and unknown…until now.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
