Rossini: La Gazza Ladra - Teatro alla Scala

Giordano: Andrea Chénier - Teatro alla Scala

Andrea Chénier, Umberto Giordano's masterpiece, a title that opens the Piermarini's 2017/2018 opera season, returns to La Scala in Milan after a 32-year absence. A highly anticipated event, not only because of the debut in the role of Magdalena by superstar soprano Anna Netrebko (thus marking her third season opener at La Scala, following 2011's Don Giovanni and 2015's Giovanna d'Arco) but also because of the La Scala debut of Yusif Eyvazov (Mrs. Netrebko's spouse, who has been keeping the Piermarini's gallery apprehensive for months now) and for the new direction signed by Mario Martone, who with Margherita Palli (composer of the sets) return to La Scala's handling of an opera by Umberto Giordano, after the success in May 2016 of their Cena delle Beffe.

Giuseppe Verdi - I due Foscari

In his 'new life' as a baritone, Placido Domingo has triumphed in the role of Francesco Foscari in Los Angeles, London and Vienna. Now he takes to the role to La Scala, Milan, the theatre that is the symbol of Italian opera. I due Foscari, premiered in 1844, famously one of Verdi's darkest operas, is staged by Alvis Hermanis, who made such an impact at the Salzburg Festival with "Die Soldaten" and "Il trovatore". Domingo is joined by two of Italy's most exciting singers, the soprano Anna Pirozzi and the tenor Francesco Meli, and the acclaimed Italian conductor Michele Mariotti. The Financial Times was deeply moved by Domingo's performance, calling his interpretation of the role "sublime".

The Eternal Sin

Gennaro, the son of Lucretia Borgia, lives unaware of the identity of his mother, who has married the Duke of Ferrara. After Lucretia's brother is killed by five conspirators, the fathers of Gennaro's dearest friends, Lucretia tortures the old men to death. Later, Gennaro and his companions journey to Lucretia's domain, and she sees her son for the first time. The Duke, who believes him to be her lover, poisons him, but Lucretia administers the antidote in time and saves his life. Then she schemes to poison her sons' five friends for their fathers' mistake.

Madama Butterfly - Teatro alla Scala

Donizetti La Favorite

One of the composer's most beguiling scores, La Favorite is Gaetano Donizetti's La favorita in it's original French form; a tale of love and war that represents a glorious mix of Italian bel canto and 19th c. grand opera. Vincent Boussard's arresting Toulouse production does full justice to this newly renewed masterpiece. Three international principals take on the work's demanding roles: Chinese tenor Yijie Shi is a 'revelation' as Fernand, the rich-toned, authoritative French baritone Ludovic Tezier as King Alphonse XI and lauded American mezzo Kate Aldrich - 'the Carmen of this generation' - plumbing the emotional depths of Leonor's music. Conductor and bel canto specialist Antonello Allemandi adds to the passionate proceedings onstage. Maestro Allemandi demonstrated full authority over the stage for the musically complex scenes, and in the arias and duets demonstrated his confidence in the singers by establishing ample tempos to support their soaring vocal lines.

Anna Bolena - Reate Festival di Rieti

Lucrèce Borgia, une femme au Vatican

The Daughter of the Pope: Lucrezia Borgia

The incredible story of Lucrezia Borgia (1480-1519), daughter of Pope Alexander VI (1431-1503), deliberately used politically by her powerful family and historically slandered as a poisoner and incestuous femme fatale. But who was the real Lucrezia?

Milano 2015

Six Italian directors explore contemporary Milan in a rich and eclectic portrait of urban life and spaces—both rooted in history and bursting with a diversity of architecture and humanity.

When Do We Eat?

Impersonating Little Eva in a third-rate travelling production of Uncle Tom's Cabin fails to earn Nora enough for a square daily meal, and to make thing worse, her stage career comes to a sudden end when the sheriff arrives with a writ of seizure. Nora hops a passing freight but is frightened by a tramp, jumps off, and literally rolls into the town of Wattelville. After being arrested as a suspicious character, Nora is adopted by the kindly Ma Forbes, whose son James works in the local bank. "Pug" Hennessy and "Soup" McCool, two crooks, inveigle the scrupulously honest James into a poker game and, as a result, he is forced to steal $300 from the bank to cover his losses. Impersonating expert safe-cracker Velvet Mary, Nora helps the crooks to break into the bank, but upon opening the safe, she sounds the alarm, and the crooks are arrested. Having learned his lesson, James proposes to Nora, who never again is forced to go hungry.

A Nine O'Clock Town

David Clary runs a sleepy little dry-goods store in a sleepy little town. A vamp from the big city shows up, intent on taking Clary for everything he's worth by a combination of seduction and blackmail. But the day is saved by the ingenuity of David's corset model.

Plateau

After the death of his mother, Kareem decides to write a screenplay based on the lives of him and his friends.

The Masque of the Red Death

While a plague devastates the peasantry, a mad prince hosts a masquerade ball for the noble class in his castle. A long-lost twin, hidden among the lower class, enters the castle and is received into a decadent world of orgies, opium, power schemes, revenge, and decapitations.

(Practically) Gay

After Alex's boyfriend breaks up with him at a wedding, another couple invites him in for a nightcap in their Airbnb's hot tub. When he starts to open up to him about his romantic troubles, they console him in more ways than one. Alex reckons with the feelings for women he's previously ignored out of a belief that living authentically as an out, bisexual male was impractical.