[REC]: Horror Without Pause

The horror film [REC] — directed by Jaume Balagueró and Paco Plaza, and released in 2007 — was an unprecedented triumph for Spanish fantasy cinema. Fifteen years later, those responsible for the creation and worldwide success of this cinematic milestone decode its keys and resurrect the myth.

The Concavenator Valley

Three researchers work on a paleontological project focusing on two dinosaurs: one fictional, the one created by special effects genius Ray Harryhausen for the film The Valley of Gwangi (1969); the other real, the Concavenator corcovatus, whose remains were discovered in 2003 at the Las Hoyas site, in the province of Cuenca (Spain), very close to where the filming took place.

We Were Once Kids

In the early nineties, before the massive gentrification of many of New York's then slums, several young people from very disparate backgrounds left their broken homes and ventured onto the brutal streets of the city. United by their love of skateboarding, they formed a family and built a unique lifestyle that eventually inspired Kids, a groundbreaking and outrageous film directed by photographer Larry Clark and released in 1995.

Omnibus: François Truffaut

Return to Manila: Filipino Cinema

Documentary about the history of Philippine cinema.

The One, the Only, the Real Tarzan

The glorious and tragic story of American athlete and actor Johnny Weissmuller (1904-84), Olympic swimmer, water polo player and the only true Tarzan, an archetypal character and myth of cinema, that of the original Hollywood blockbusters (1932-48).

Hong Kong Stories

A documentary about Hong Kong cinema mythology via Julien Carbon and Laurent Courtiaud’s experience as screenwriters in the HK film industry, working for Wong Kar-wai, Tsui Hark, Daniel Lee and Johnnie To

Counter Shot: Departure of the Filmmakers

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Stunts: A Taste for Risk

The amazing story of stunts, men and women who risk their lives every day on set to get the perfect action scene.

Las cinéphilas

Six elderly retired women, two from Buenos Aires, Argentina; two from Montevideo, Uruguay; and two from Madrid, Spain, have something in common, despite their different interests and lives: they go to the movies almost every day.

Les dents de la mer: Un succès monstre

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Nice Girls Don't Stay for Breakfast

In the late 1990s, iconic photographer Bruce Weber barely managed to convince legendary actor Robert Mitchum (1917-97) to let himself be filmed simply hanging out with friends, telling anecdotes from his life and recording jazz standards.

Zombies in the Sugar Cane Field: The Documentary

Tucumán, Argentina, 1965. Three years before George A. Romero's Night of the Living Dead was released, director Ofelio Linares Montt shot Zombies in the Sugar Cane Field, which turned out to be both a horror film and a political statement. It was a success in the US, but could not be shown in Argentina due to Juan Carlos Onganía's dictatorship, and was eventually lost. Writer and researcher Luciano Saracino embarks on the search for the origins of this cursed work.

The Forbidden Reel

According to the official history of Afghanistan, ruthless destruction has always prevailed over art and creation; but there is another tale to be told, the forgotten account of a diverse and progressive country, seen through the lens of innovative filmmakers, a story that survives thanks to a few brave Afghans, a small but very passionate group that secretly fought to save a huge film archive that was constantly menaced by war and religious fanaticism.

Big Big Big

A couple decides to watch Big, a successful film released in 1988, starring Tom Hanks and directed by Penny Marshall, not once, but thirty times, sometimes accompanied by family and friends who come to their home to watch and discuss it.

La Antorcha de los Éxitos: Cifesa (1932-1961)

The amazing story of Cifesa, a mythical film production company founded in Valencia by the Casanova family that managed to dominate the box office during the turbulent times of the Second Spanish Republic, the carnage of the Civil War and the hardships of the long post-war period and Franco's dictatorship — and survive until the sixties, when Spain was timidly beginning to change.

La Cicciolina: Godmother of Scandal

The personal and professional story of Ilona Staller, known as Cicciolina, is probably unique: she left communist Hungary and moved to Italy, where she found a fertile environment for a life dedicated to scandal.

Coup 53

Tehran, Iran, August 19, 1953. A group of Iranian conspirators who, with the approval of the deposed tyrant Mohammad Reza Pahlavi, have conspired with agents of the British MI6 and the US CIA, manage to put an end to the democratic government led by Mohammad Mosaddegh, a dramatic event that will begin the tragic era of coups d'état that, orchestrated by the CIA, will take place, over the following decades, in dozens of countries around the world.

This Is Not a Dream

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Heirs of the Beast

The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.