When We Were Kings

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Nickel Boys

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

Snake Eyes

All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. It's up to him and lifelong friend, Naval intelligence agent Kevin Dunne, to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can't turn a blind eye to.

The Ring

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

The Battle of the Century

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

The Greatest

Muhammad Ali's life story up to the late 1970s, which includes his Olympic boxing triumphs as Cassius Clay, his conversion to Islam, his refusal of the Army draft and the legal battle after being stripped of his World Title.

Dangerous Dan McFoo

An arctic saloon. The tiny dog, Dan McFoo, is playing a pinball-like marble game in the back. His girlfriend, Sue, sounding like Katharine Hepburn, stands by. A stranger comes in with eyes for Sue; he begins a boxing match with Dan. After Dan gets knocked down, he accuses the stranger of having something in the glove; the ref finds four horseshoes and a horse. After the fight goes on a while with no conclusion, the narrator tosses a couple of guns, the lights go out, and Dan is shot or is he?

The All-American Boy

Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.

WrestleMania 2

Emanating from New York, Los Angeles, and Chicago, WrestleMania 2 features Hulk Hogan defending the WWF Championship against King Kong Bundy inside a steel cage. Mr. T battles "Rowdy" Roddy Piper in a Boxing Match. The British Bulldogs challenge The Dream Team for the WWF Tag Team Championship and much more.

Tiger Ghost

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

Jake LaMotta vs. Sugar Ray Robinson VI

The sixth and final fight between LaMotta and Robinson, it took place at Chicago Stadium on St. Valentine's Day in 1951.

SAM

A filmed homage to Sam Shepard, in a single fixed frame where the treetops sway under a moving cloud cover. Orchestrated by the camera in this forest environment, brief spoken and sung interludes evoke touching dedications punctuating the solitude of the scene.

The Nanny Reunion: A Nosh to Remember

The cast members reminisce about the show and present exclusive blooper footage never shown on television, as well as an update on their current activities.[1][2] The reunion took place at Fran Drescher's oceanside home in California. The entire cast was present except for Daniel Davis, who was performing in the musical La Cage aux Folles on Broadway at the time and was unable to attend. Also at the reunion were Drescher's mother and father, Sylvia and Morty, who made several appearances on the show. In the special, Daniel Davis, or "Danny", was said by Drescher to have gotten "lost". At the end of the special, "Danny" (actually Danny Bonaduce), makes an appearance.

The High Sign: A Filmmaker Emerges

Documentary about Buster Keaton's The 'High Sign' (1921) and Keaton's developing style.

Jewish Delis: Something to Kvell About!

A celebration of a great Jewish-American tradition. Beginning as places for Jews from Central and Eastern Europe to eat and meet, they expanded across America and eventually attracted as many non-Jews as Jews. Today, the number of Jewish Delis has shrunk dramatically and many of the survivors have adapted to changing times, sometimes in ways their forebears might not recognize.

One Week: Marvelous Toys

Short documentary on the making of Buster Keaton's One Week.

东瀛大宝荐：迷失东京

The Haunted House: Gags and Growth

Documentary about the development of Buster Keaton's The Haunted House (1921).

The Goat Is Not a Goat

A short documentary on the works of Buster Keaton.

At Night, the Red Sky

On a very dark night, in the boiling atmosphere of the recent Iranian uprising, a woman and a man travel through time and remember. Since September 2022, a large part of the Iranian population has been in revolt. Women and men are saying ‘no’. What is the content of this ‘no’? Totalitarian resentment condemns us to forget, but the film’s protagonists try to go back in time through their own memories-footages, and take us through the labyrinths of a society in search of its image. Memory-image is a weapon with which they hope to rescue a revolt, a liberation