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Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.
Bluebeard, an opéra bouffe by Jacques Offenbach, premiered in Paris in 1866. Directed by Laurent Pelly, the National Opera in Lyon stages this musical comedy about a man suspected of murdering his wives. Hortense Schneider originally played Boulotka, a village girl who reforms Bluebeard. Yann Beuron and Héloise Mas star, with Christophe Gay as the alchemist Popolani.
The French orchestra Les Siecles is spoken of exclusively in superlatives. Critics, but above all listeners, highly appreciate the perfect ensemble playing of all sections of the orchestra, the clear range of dynamic differences, and rhythmic precision. Similarly, the conductor and founder of the ensemble, the charismatic François-Xavier Roth, is also highly regarded for his energetic musicality, clear gestures, and understanding of the genre he interprets. They came to Prague for the Prague Spring 2022 festival with pianist Bertrand Chamaya and a purely French repertoire. They performed works by César Franck and Claude Debussy and completely captivated the audience in the Dvořák Hall of the Rudolfinum. Les Siecles is sure to win you over as well.
B. Britten's famous opera, which became a major theatrical event in its production by the National Theater Brno... The story of the opera Peter Grimes is as harsh and stormy as the landscape in which it takes place. A boy dies in a fishing village on the North Sea coast. Fisherman Peter Grimes is suspected of his murder. Although he is acquitted by the court, the locals have their own opinion and make it known. Social outcasts and the sea are the thematic pillars of this tragic opera, in which the staunch pacifist and humanist Benjamin Britten sides with all those who deviate from the norms of mainstream society. Although Benjamin Britten's work forms a fundamental part of contemporary opera production and he is the most frequently staged composer of the 20th century worldwide, in the Czech Republic we rarely have the opportunity to encounter his work. His most famous opera, Peter Grimes, from 1945, had its Czechoslovak premiere two years later at the National Theater in Brno.
This short film is made for the "Chopin-Pletnev" disc which marked Mikhail Pletnev's debut as a pianist on Deutsche Grammophon. In the film, we witness Mr. Pletnev's journey, starting from him on his way to studio, through his performance of Chopin's Etude Op. 25 No. 7 in C sharp minor "The Cello" and the process afterwards. One is struck repeatedly by Pletnev's crystalline arpeggiations, the velocity of his passage work, his singing tone, his rhythmic suppleness, and, above all, the grandeur of his sound.
After failing to be admitted into the OSESP Orchestra, a talented violinist is forced to give music classes to teenagers in a public school. He soon finds his world transformed by the power of music and friendships formed with his pupils.
Experience what Zell Music Director Riccardo Muti calls “the work of a divine architect” in this special encore presentation of Beethoven’s Ninth Symphony. Recorded live September 18, 2014, at Orchestra Hall during one of the opening programs of the Chicago Symphony Orchestra’s 2014/15 season, this performance features Muti leading the Orchestra and Chorus and distinguished soloists in one of history’s most powerful and inspiring artistic works. A masterpiece whose staggering influence can be seen across classical music, it concludes with the famous Ode to Joy, which calls for understanding, peace and universal goodwill. The Chicago Symphony Orchestra is grateful to an anonymous donor for generously underwriting the recording of this concert in 2014.
Although he is unanimously credited with having democratised opera, making it accessible to the greatest number, focus is rarely put on the strategy he devised and implemented in order to carry out his actions, nor what his actions reveal of the man and artist, and of the resulting metamorphosis from opera singer to pop artist. Through this angle, this film sets out to pay tribute to the man who summed up his credo, obsession and life’s work, in the following way: “They led the public to believe that classical music belonged to a restricted elite. I was the way to prove to the world that was wrong.
A documentary that explores the challenges that a life in music can bring.
As part of the 2019 Aix-en-Provence Opera Festival, filmmaker Christophe Honoré delivers an innovative staging of Giacomo Puccini's famous drama. His cleverly staged "opera within the opera" is a melancholy homage to the fascinating figure of the diva, who thrives on art and love and upsets the laws of time and death.
With more than 50 years of experience as film director, Peter Greenaway (Nightwatching, Eisenstein in Guanajuato) combines the worlds of film and opera at the Verdi Festival in Parma, demonstrating what magic those two can do together with an all new approach to Giuseppe Verdi's Giovanna d'Arco, staged and edited by himself and his wife, Saskia Boddeke. The opera's libretto is based on Friedrich Schiller's 'The Maid of Orleans'. It tells the story of the French national hero Jeanne d'Arc, who defends her country against the English troops during the Hundred Years' War. Constantly torn between her humble roots, her love for King Charles VII and her heavenly task to fight for France, she gains eternal glory by giving her life in the final, victorious battle against England.
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.
Barcelona’s Palau de la Música Catalana, one of the world’s most beautiful concert halls, hosted Gustavo Dudamel and the Münchner Philharmoniker with an unforgettable performance of Mahler’s Symphony No. 2 “The Resurrection”. The composer emphasizes life and death in all its terrible and stunning splendour in this overwhelming opus: “There is nothing except the complete substance of my whole life”, he remarked on his all-embracing oeuvre. Gustavo Dudamel, who said it was “a privilege to conduct this work in this unique venue”, and his ensemble were celebrated with more than ten minutes of applause.
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