The silent daily routine of a young man is revisited through Dostoevskian musings.
Social & External
A Sick Man
After being kidnapped by four masked men, a teacher and her students rebel by plotting against the criminals.
Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.
In this single character-driven movie, we follow the life of meta, an archaeologist. In her excavation she comes across an old ruin and unknowingly falls trap to a curse. This curse later leads her head to get stuck in a mystical pot. It is the nature’s payback to her unknown karmic cycle.
Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?
Nino is a pianist, he runs into Valentina in the underground and falls for her. Valentina is rich but she tells nothing to Nino who is proud. Andrea was the boy of Valentina before Nino and wants to marry her for her money. Nino leaves Valentina when he finds out that she is rich while Andrea, turned down again, kidnaps Valentina.
When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.
In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.
In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.
An eccentric cross-section of inner-city Sydney types - a widow, a reality TV star, a teenager, a criminal and a cult leader - collide in wildly original melodrama.
The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
The story of Salvador Puig Antich, one of the last political prisoners to be executed under Franco's Fascist State in 1974.
An experience of a camera swinging in different gestures facing the optical distortion of the Sun. The last appearance of the smudge.
A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.
The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.
In an abandoned hospital on the outskirts of Brussels, strangers come and go while ghosts linger. Among the shards of glass, a young streamer performs a live sex show for an online subscriber. Under the same dilapidated roof, an old woman lights a fire and drinks her sorrows away in the room where her husband stayed until he died. A chance encounter between these two lonely beings will unleash a flood of memories and virtual data. But real-life connections are scarce, and mutual consolation seems a distant dream. Porcupines are said to gather on cold winter days to share body heat with their fellows, but ultimately injure each other with their quills. How is it that our slightest attempts at intimacy so often see us retreating once more into solitude?
When rogue stealth-fighter pilot Vic Deakins deliberately drops off the radar while on maneuvers, the Air Force ends up with two stolen nuclear warheads -- and Deakins's co-pilot, Riley Hale, is the military's only hope for getting them back. Traversing the deserted canyons of Utah, Hale teams with park ranger Terry Carmichael to put Deakins back in his box.
“Poussières de Juillet”, produced in 1967 by Hachemi El-Chérif, is taken from a poem by Kateb Yacine. "We made a film on the return of the ashes of Emir Abdelkader, to Algeria. It was the opportunity to make a film on the ancestors with M'hamed Issiakhem. He designed glass plates on the basis of my texts. Then we had actors collaborate. It was a film which cost us a total of 300 dinars, proof that we could do work for television without too much money. We won two first international prizes at the Belgrade festival. We left the original of the film with the Egyptians in Alexandria and they lost it. We kept a copy but over time I wonder what happened to it, because there is no not even had a screening, they say it still exists, but I don't know in what state." Kateb Yacine, July 28, 1986, interview with Arlette Casas.