Povel Ramel's 1962 show as filmed for television. This time the usual gang of four is joined by promising young comedian Hasse Alfredsson.
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The Last of Mrs. Lincoln depicts the final seventeen years of Mary Todd Lincoln's life, following her husband's assassination.
Musical production of the space epic Aniara.
This is the story of the 1920s, shortly after mankind woke up from the nightmare of World War I, a time haunted by death like never before in history. Late at night, a car is speeding along a mountain road in northern Italy. In the car is the family of the Duke of Lamberti. They were returning from celebrating the engagement of their only daughter, Grazia, in Venice. However, tragedy strikes the car carrying the family. The car spins out of control and Grazia is thrown into the darkness of the night...
Set in wartime Belgium, two brothers—Staf (or Louis) and Dirk Segers—grow up inseparable, only to find their bond torn apart during WWII when one joins the Resistance and the other sides with the occupiers.
Ain't Misbehavin' is the televised version of the 1978 Tony Award-winning Broadway sensation celebrating the music, life and times of Thomas "Fats" Waller — featuring 29 songs written or inspired by him. The telecast won Emmy Awards for Nell Carter and André De Shields.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
The Will Rogers Follies is a musical with a book by Peter Stone, lyrics by Betty Comden and Adolph Green, and music by Cy Coleman. It focuses on the life and career of famed humorist and performer Will Rogers, using as a backdrop the Ziegfeld Follies, which he often headlined, and describes every episode in his life in the form of a big production number. The Rogers character also performs rope tricks in between scenes. The revue contains snippets of Rogers' famous homespun style of wisdom and common sense and tries to convey the personality of this quintessentially American figure whose most famous quote was "I never met a man I didn't like."
The stage musical Peter Pan starring Cathy Rigby has toured the world to great acclaim. An adaptation of the famous 1954 musical directed by Jerome Robbins and starring Mary Martin, this new version is lasting proof that J.M. Barrie's tale of the boy who would never grow up is one of the kingpins of family entertainment. All the elements are in good form for this video production shot at the Mirada Theater in 2000 for the A&E Network. Some new songs have been added to the fabulous Moose Charlap-Carolyn Leigh score (which includes "Tender Shepherd," "I Gotta Crow," "I'm Flying," and "I Won't Grow Up"). But the biggest asset to this production are the spectacular flying sequences: Peter even soars over the audience at times. Martin was a stronger actress in a close-up, but Rigby is magical with her athleticism and spark, most notably in a percussion-filled song and dance number "Ugh-a-Wug.".
Set in modern upper-crust Manhattan, an exploration of love and commitment as seen through the eyes of a charming perpetual bachelor questioning his single state and his enthusiastically married, slightly envious friends.
A pair of divorced actors are brought together to participate in a musical version of The Taming of the Shrew. Of course, the couple seem to act a great deal like the characters they play, and they must work together when mistaken identities get them mixed up with the mafia.
Annie, the beloved seven-time Tony Award-winning Broadway sensation, comes to life like never before in a live musical event starring Harry Connick, Jr., Nicole Scherzinger, Tituss Burgess, Megan Hilty and Taraji P. Henson, with newcomer Celina Smith in the title role of Annie. The iconic musical follows smart and spirited little orphan Annie, whose whole life changes when larger-than-life billionaire Daddy Warbucks takes her away from an orphanage run by the mean Miss Hannigan. One of Broadway's all-time biggest hits, the stage production features such popular songs as "Tomorrow" and "It's the Hard Knock Life," which are adored by generations of audiences around the world.
Tricicle brings together in a single theatrical show their best gags, created during their first three years of life.
Three friends who bonded over their radical beliefs in the 1930s reunite after becoming estranged over a book one of them wrote.
New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
1850, and Europe’s most feared terrorist is hiding in Dean Street, Soho. Broke, restless and horny, the thirty-two-year-old revolutionary is a frothing combination of intellectual brilliance, invective, satiric wit, and child-like emotional illiteracy. Creditors, spies, rival revolutionary factions and prospective seducers of his beautiful wife all circle like vultures. His writing blocked, his marriage dying, his friend Engels in despair at his wasted genius, his only hope is a job on the railway. But there’s still no one in the capital who can show you a better night on the piss than Karl Heinrich Marx.
In 1941 Hawaii, a private is cruelly punished for not boxing on his unit's team, while his captain's wife and second in command are falling in love.
Smokey Joe's Cafe, Broadway's longest-running musical revue, highlights the best songs by the legendary song-writing duo, Leiber and Stoller. Included numbers are "Neighborhood", "Fools Fall In Love", "Yakety Yak", "Charlie Brown", "Jailhouse Rock", "Hound Dog", "Love Potion #9" and "Stand By Me".
Based on the novel by Emily Brontë, adapted and directed by Emma Rice. Rescued from the Liverpool docks as a child, Heathcliff is adopted by the Earnshaws and taken to live at Wuthering Heights. He finds a kindred spirit in Catherine Earnshaw and a fierce love ignites. When forced apart, a brutal chain of events is unleashed. Shot through with music, dance, passion and hope, Emma Rice (Romantics Anonymous, Brief Encounter) transforms Emily Brontë’s masterpiece into a powerful and uniquely theatrical experience. Lucy McCormick (Post Popular) and Ash Hunter (Hamilton) lead the company of performers and musicians in this intoxicating revenge tragedy for our time.
Memphis is set in the places where rock and roll was born in the 1950s: the seedy nightclubs, radio stations and recording studios of the musically-rich Tennessee city. With an original score, it tells the fictional story of DJ Huey Calhoun, a good ole' local boy with a passion for R&B music and Felicia Farrell, an up-and-coming black singer that he meets one fateful night on Beale Street. Despite the objections of their loved ones (Huey's close-minded mama and Felicia's cautious brother, a club owner), they embark on a dangerous affair. As their careers rise, the relationship is challenged by personal ambition and the pressures of an outside world unable to accept their love. Originally shown in select theatres, then broadcast as an episode of the PBS series "Great Performances" (season 39, episode 11).
Confronted with death, National Health Service founder Aneurin ‘Nye’ Bevan’s deepest memories lead him on a mind-bending journey back through his life; from childhood to mining underground, Parliament and fights with Winston Churchill.