Set in the French President’s office, Élysée embarks on a personal reflection on the aesthetics and representation of power. The film reactivates the concept of the King’s Two Bodies, first theorised by historian Ernst Kantorowicz, positing the idea of a power continuum going well beyond its physical incarnation in a single person.
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Set in the French President’s office, Élysée embarks on a personal reflection on the aesthetics and representation of power. The film reactivates the concept of the King’s Two Bodies, first theorised by historian Ernst Kantorowicz, positing the idea of a power continuum going well beyond its physical incarnation in a single person.