Set in the Sengoku period, this story follows the Toyotomi brothers—Hidenaga and Hideyoshi—and their unbreakable bond as they rise to unify Japan.
Social & External
Toyotomi Hidenaga / Koichiro
Toyotomi Hideyoshi / Tokichiro
Oda Nobunaga
Akechi Mitsuhide
Narration
The drama tells the story of the Sanada family. Originally serving the Takeda Clan they ruled the northern district of Shinano. The story begins right after the death of Takeda Shingen, continues through the rise of Tokugawa Ieyasu who founded the Tokugawa shogunate and covers roughly the period 1580-1610.
Lord Sanada along with his deadly ninja assassins Kirigakure Saizo and Sarutobi Sasuke attempt to restore the rule of the Toyotomi during the brutal period just after the rise of the Tokugawa Shogunate.
We're in Shamisen-bori of the bustling city of Edo. The officers of Guardhouse 36 monopolize the popularity in Edo. They're strong against evil, soft in compassion. Even the shogun depends on them. They're called the “Kirisute Bansho”... with a right to kill.
Nezu no Hamakichi used to be a renowned detective. He had lost his job and been banished from Edo after he was arrested for some reasons. Back in Edo for the first time in 5 years, he has just sold toys. This is a story that Hamakichi resolves difficult incidents.
Dobu, an unconventional detective, teams up with Yoriki Samon to solve crimes in Yaoyacho, Edo, showcasing their courage and detective skills.
Botan Dōrō is a Japanese ghost story that is both romantic and horrific; it is one of the most famous kaidan in Japan. The plot involves sex with the dead and the consequences of loving a ghost.
A human drama based on the "Date Riots".
Set at the end of the Edo period, the series depicts Kumo's family with his wife, Kame, their 11-year-old son, Shinnosuke. Kumo is always ignoring work and playing and he is also notorious for womanising.
A dramatization of Ryotaro Shiba's novel of the same title about the life of Kobayashi Sahē, a chivalrous man who actually existed at the end of the Edo period.
Yoshitsune is a Japanese television drama series originally broadcast between 9 January and 11 December 2005, with a three-part special compilation being aired from 24 December to 25 December 2005. The 44th Taiga Drama, the original work is by Miyao Tomiko, screenplay by Kaneko Narito and starring Hideaki Takizawa.
The 38th NHK Taiga Drama is Genroku Ryoran. The "Forty-seven Loyal Samurai" is one of the most enduring and best loved stories of Japan's history. Generations have grown up hearing the stirring tale of Oishi Kuranosuke, chief councillor of the Ako clan who leads his men through suffering and hardship to ultimately avenge their lord after he is unjustly forced to commit harakiri. NHK's 38th Taiga Drama "Genroku Ryoran" is the ambitious remake of this classic epic and boasts a cast that reads like a Who's Who in Japanese entertainment.
The 36th NHK Taiga Drama is Mori Motonari. This series chronicles the life of Mori Motonari, a warlord of the early 1500s who stood at the vanguard of the Warring States era. All Japanese school textbooks contain the Mitsuya no kyokun, Mori's famous lesson to his three sons that teaches that while one arrow is easily broken, three arrows together cannot be broken. In 1997, 500 years after his birth, NHK dramatizes Motonari's rise from a chief of the region of Aki (now Hiroshima) to a daimyo who rules over ten provinces of the Chugoku region. Motonari was 64 years old and already the patriarch of a powerful dynasty about the time Oda Nobunaga and Takeda Shingen appeared on the scene. And even after his death, the Mori family figured prominently in Japanese history. His grandson Terumoto became a loyal Toyotomi vassal. Defeated at the Battle of Sekigahara, Ieyasu confiscated most of his lands, leaving him only with Suwo and Nagato, later known as Choshu. But 260 years later, the Mori got their ultimate revenge, leading the imperial forces against the Tokugawa in the Meiji Restoration.
Orphaned when he was not yet ten, Musashi grows up skilled in the martial arts. During the Battle of Sekigahara, he fights on the side of the losing Toyotomi forces, but eludes the enemy as they hunt down the vanquished soldiers. He then spends years wandering the countryside mastering the sword. As his fame spreads throughout the nation, men seek him out to test their skills against him--most notably Sasaki Kojiro who faces Musashi in the ultimate duel at Ganryujima.
Based on Tezuka Osamu’s “Shinsengumi” series from 1963. 1863, Kyoto. At a small teahouse run by his father, Fukakusa Kyujuurou lived modestly yet earnestly day by day. However, one night, that peaceful everyday life changed dramatically. His father, who had been sheltering a pro-Shogunate samurai, ends up being killed by Shonai, a Choshu samurai. Shaken with rage, Kyoujurou dashed out of the shop to pursue Shonai and his comrades, but then a man appeared, seemingly understanding Kyoujurou’s intentions, and swiftly cut down one of the samurai. Identifying himself as the chief of the Shinsengumi, Isami Kondo offered words of condolence to Kyoujurou, expressing gratitude for his father’s bravery, before departing. Determined to seek revenge, Kyoujurou resolved to enlist in the Shinsengumi. Credit : DramaClub
A jidaieki drama where a hard-nosed doshin, Shinpachiro Kariya, takes on difficult cases with exquisite teamwork under the supervision of a young magistrate.
Kōchiyama Sōshun serves as a cha-bōzu (He is kind of tea man) in the administrative headquarters of the Tokugawa shogunate but he works behind the scene to protect powerless people from evil power of Tokugawa shogunate. Kataoka Naojirō and Ushimatsu work for Kōchiyama. Kaneko Ichinojō is a ronin whose interests often align with Kōchiyama
A mysterious humanistic period drama, setting in the Edo Period. As Okappiki, unofficial collaborators who played a marginal role in police functions, Moshichi (Takahashi Hideki) solves a number of mysterious incidents that occur in downtown Edo.
In an alternative feudal Japan, a strange disease that only affects males caused a massive population reduction, leaving females to fill the vacant jobs, therefore changing the social structure. Now, 80 years after the initial outbreak with a 1:4 male:female ratio, Japan is a completely matriarchal society. Females hold all important political positions, and males are their consorts. Only the most powerful female—head of Tokugawa shogunate—may keep a harem of handsome and unproductive males, known as "Ōoku".