An Edgar A. Guest Poetic Gem. It features the original song Take Me Home to the Mountain by Loesser & Herscher.
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A romantic drama about two couples shifting sexual dynamics over one night in a music bar.
A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.
Three books: a film festival catalogue, a dictionary, the Bible. Three works whose materiality has become obsolete by the digital dematerialization. A commentary on the fragility of culture.
Shadow / Self is a film project that combines dance, fashion and music to explore the darker side of the feminine psyche. A story of human struggle told with movement, beauty and light.
A meaningful journey into the Italian cultural heritage throughout musical quotes from Giacomo Puccini’s Tosca, lithographies by Giovan Battista Piranesi and lines by Pier Paolo Pasolini. Dreamland will bring the audience to some of the most beautiful Italian UNESCO sites: Villa d’Este and Villa Adriana in Tivoli, the historic centre of Rome with the Roman Forum, the Colosseum, Piazza Navona, Castel Sant’Angelo and much more. Passing through the depths of the Tiber, it will arrive also in the most peripheral areas of the city to find out still so much beauty and so many stories about the contemporaneity in a visual and musical journey so evocative as to reveal the Italian cultural identity.
If silent pictures were still the only style of film making, how would they look today? What would Charlie Chaplin's 'Tramp' look like? Would Buster Keaton's love story always involve a man and a woman? SILENT CITY is a modern day silent film that weaves together a series of vignettes depicting life in New York City. Illustrating change in society since the original silent film era, as well as the diversity of the Big Apple.
Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.
Biopic filmed in a single shot about the Majorcan musician Juanjo Monserrat.
Comic stories for adults about the problems of family life.
Two road weary travelers experience the supernatural and the refreshing taste of Miller Light.
The demons of hell play music for Satan, whose delight turns to wrath when an insubordinate refuses to become food for Cerberus.
A child is born. We see underwater swimmers representing this. He is young, in a jungle setting, with two fanciful "instincts" guiding him as swooping bird-like acrobats initially menace, then delight. As an adolescent, he enters a desert, where a man spins a large cube of metal tubing. He leaves his instinct-guides behind, and enters a garden where two statues dance in a pond. As he watches their sensual acrobatics of love, he becomes a man. He is offered wealth (represented by a golden hat) by a devil figure. In a richly decorated room, a scruffy troupe of a dozen acrobats and a little girl reawaken the old man's youthful nature and love.
A rock singer, escaping from her abusive boyfriend, forms an unlikely friendship with a struggling photographer with scars of his own.
Keem's internal battle leads us through fragments of memory and temptation as he navigates the depths of The Melodic Blue.
A shopping center along a large highway is the scene of an apocalyptic musical. Animation with a strong sense of form set to auto-tuned music by Klungan. About liberation through great catastrophy.
This short animation draws on advanced digital technologies to offer a new vision of dance in cinema. With motion capture (MoCap) and particle processing, designers Denis Poulin and Martine Époque create virtual dancers free of their morphological appearance. In this balletic and hypnotic film, dynamic traces carry the motion of the real dancers behind the on-screen movements. Addressing environmental themes by way of metaphor, CODA is a fused universe where space and time collide, deploy, and dissolve. In this technically and formally innovative film, luminous bodies in the infinite space of the cosmos transform and evolve to the rhythms of Stravinsky’s Rite of Spring.
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