Interview with Salvador Allende: Power and Reason

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

The Pearl Button

The ocean contains the history of all humanity. The sea holds all the voices of the earth and those that come from outer space. Water receives impetus from the stars and transmits it to living creatures. Water, the longest border in Chile, also holds the secret of two mysterious buttons which were found on its ocean floor. Chile, with its 2,670 miles of coastline and the largest archipelago in the world, presents a supernatural landscape. In it are volcanoes, mountains and glaciers. In it are the voices of the Patagonian Indigenous people, the first English sailors and also those of its political prisoners. Some say that water has memory. This film shows that it also has a voice.

Chile, el gran desafío

After providing a pictorial vision of Chile, from north to south, President Salvador Allende's tour of the following countries is recorded: Mexico, Algeria, USSR, USA and Cuba. In each place, scenes of welcoming demonstrations, official acts and typical archive notes are presented.

Cybersocialism: Project Cybersyn & The CIA Coup in Chile

A documentary on the rise and fall of Project Cybersyn, an attempt at a computer-managed centralized economy undertaken in Chile during the presidency of Salvador Allende.

Compromiso con Chile

Made by Fernando Balmaceda in 1972, it is a documentary that shows the presence of the State Technical University throughout Chile through its provincial headquarters, with teaching, scientific research, technological development, cultural extension and the relationship with the historical moment of the country.

Perros Bastardos

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia: Part One – Festival of the Nations

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Olympia: Part Two – Festival of Beauty

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Sweet Bobby: My Catfish Nightmare

Kirat falls for a man she meets online, only to get swept up in a virtual relationship that upends her life for years, in this shocking documentary.

Las Toreras

Jackie Brutsche tries to unravel the dark secrets of her family and answer unanswered questions about her mother.

The Sportsman

Approximately 250 photographs by Roman Sejkot of a mentally handicapped swimmer which are wonderfully animated by the film's director. A selection of these photographs came third in the Sports Stories category in the 1993 World Press Photo competition.

Oh, What a Struggle It Was!

In this playful experimental film, documentary maker and animator Pavel Koutecký captures Prague during campaigning for the first free elections in 1990. Old political posters recall an atmosphere of belief in democracy and disgust with the years of communist dictatorship.

42nd Street Memories: The Rise and Fall of America's Most Notorious Street

The story behind the rise and fall of New York's 42nd Street. The cinemas, the films, the people, the crime and the rebirth of the block as "New 42nd Street" - this is the document of the world's most notorious movie strip.

The Hooping Life

Learn the origins and rise of modern day hula-hooping through eight extraordinary stories of hoop devotees who have embraced it as an art form, a teaching aid, and even an instrument of redemption. From the streets, to intimate clubs, to giant arenas, we alternate between self-filmed video diaries, verité documentary footage, and spectacularly filmed performances in an attempt to celebrate the healing power of movement and the spirit of human inventiveness.

The Clash: The Rise and Fall of The Clash

Profile of seminal punk group The Clash.

The Light in Her Eyes

Houda al-Habash, a conservative Muslim preacher, founded a Qur'an school for girls in Damascus, Syria when she was just 17 years old. Every summer, her female students immerse themselves in a rigorous study of Islam, in addition to their secular schooling. A surprising cultural shift is underway-women are claiming space within the mosque, a place historically dominated by men. Challenging tradition, Houda insists education for women is a form of worship. Using Qur'anic teachings, she encourages her students to pursue higher education, jobs, and public lives, while remaining committed to an interpretation of Islam prioritizing women's role as wives and mothers. In a world rarely seen, The Light In Her Eyes tells the story of a leader who challenges the women of her community to live according to Islam, without giving up their dreams. Shot right before the uprising in Syria erupted, the film is an exclusive look at a social movement thriving in a country controlled by a repressive regime

Night and Fog

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Carta a un Viejo Master

An homage to master Eduardo Coutinho, a Brazilian documentary filmmaker who recorded several interviews in the famous Master Building 20 years ago. Paz Encina searches for traces of Coutinho's still strong presence in the setting/object of his feature film, sewing an affectionate letter from the encounter with this space — and its current residents — and dialoguing with the voids, ghosts and memories of a film and a place.