Social & External
Chica em 1969
Chica em 1988
Silva
Anne
Irandhir AKA Carlos
Agente #01
Agente #02
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.
In Algeria in 1954, in a village in the Aurès region, poverty reigns over peasants enslaved by colonial administrators and Algerian landowners. Noua, in love with the son of a peasant dispossessed of his land, must be sold to a wealthy landowner.
Residents of a rundown boardinghouse in 19th-century Japan, including a mysterious old man and an aging actor, get drawn into a love triangle that turns violent. When amoral thief Sutekichi breaks off his affair with landlady Osugi to romance her younger sister, Okayo, Osugi extracts her revenge by revealing her infidelity to her jealous husband.
A wealthy, self-absorbed Rome socialite is racked by guilt over the death of her young son. As a way of dealing with her grief and finding meaning in her life, she decides to devote her time and money to the city’s poor and sick. Her newfound, single-minded activism leads to conflicts with her husband and questions about her sanity.
A prodigal daughter rejoins her family at their farm during a difficult time, as her ailing father faces both a terminal diagnosis and mounting pressure from competitors. Old wounds resurface as they grapple with what lies ahead.
Young African-Brazilian Miguel drives across the country in search of a long-lost relative to find out about his ancestry. However, a deeper understanding emerges through his encounters along the way.
Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...
At the time of Tunisian independence, owners of large boats decide to sell, while many small fishermen soon find themselves without work. Their wives then decide to pool their gold rings to sell them and thus buy boats.
"No one loves anyone for more than two years" is an adaptation of Nelson Rodrigues' work about five couples that live in Brazil in the early 60's, who are seen by the society as conventional people, but whose intimate lives turn out to be morally questionable.
In the special episode of Tapas & Beijos, titled "The Great Reunion", Sueli and Fátima come together five years after the series ended. They navigate new challenges and humorous situations, showcasing their characteristic friendship and irreverent humor. The episode serves as a nostalgic farewell, celebrating the best moments of their chaotic lives while addressing relatable issues.
Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.
Soviet animation from Vladimir Tarasov.
The story of a lone father's relationship with his daughter, of the destructive power of alcohol, of a child's vulnerability, but also of love, betrayal and socialist politics in 1970s Sweden.
In an insurrectionary climate, four twenty-year-old friends talk about politics. As a big protest looms, one of them, Clara, has to write a college essay. Caught in the virtual images and the comfort of her bedroom, going out is harder than expected.