Alabang Girls

Four city boys rich in experience but undeniably penniless, meet rich and pretty girls from an up scale suburb. With nothing but sense of humor and confidence, they try their luck to get the hearts of these Alabang Girls.

My Boyfriend Is Type B

My Boyfriend is Type B is a South Korean romantic comedy film from the year 2005. The basic premise of the film comes from the Japanese blood type theory of personality, which claims that a person's blood type can determine their personality traits. The heroine is type A (conservative and introverted) while her love interest is type B (passionate and irresponsible).

Me, Myself and I

Yangos Aggelis (Lambros Konstantaras), director of a factory, is the type of classical friend. He is only interested in himself while he is engaged for five years with Eleni (Beata Asimakopoulou) whom she does not say married. At the same time he is sexually attached to his czech secretary, Lilly, whom he wants to marry with an impoverished employee in order to have his hand. When she learns that Mrs. Papageorgiou (Miranda Myrat), the widow of the factory owner, intends to remarry, she does not hesitate to apply. However, his excessive selfishness and irresponsible attitude lead him to complete isolation, as everyone leaves him.

I'll Be Home for Christmas

Estranged from his father, college student Jake is lured home to New York for Christmas with the promise of receiving a classic Porsche as a gift. When the bullying football team dumps him in the desert in a Santa suit, Jake is left without identification or money to help him make the journey. Meanwhile, his girlfriend, Allie, does not know where he is, and accepts a cross-country ride from Jake's rival, Eddie.

Fanny

Soon after Marius's departure, Fanny learns that she is pregnant with his child, to the disappointment of her mother and of Marius's father, César. To secure a better life for her unborn child, she accepts a marriage proposal from the aging widower Honoré Panisse.

The Mirage

Le Mirage is the perspective of a man in his thirties asking himself "what am I chasing?" Our society has become all about consumerism, if not excess. Success is determined by what and how much we have and "stuff" becomes the band-aid to a meaningless existence. Stuff fills the void of the existence we weren't meant to lead.

Red Rocket

After hitting rock bottom in Los Angeles, former porn star Mikey Saber returns to his hometown in Texas to stay with his estranged wife and mother-in-law. Just as tensions begin to ease, he becomes infatuated with a young doughnut shop worker named Strawberry.

Pie in the Sky

A young man obsessed with traffic patterns attempts to reunite with his first love.

Rewind Dating

Yes & No

A comedic look at adhering to driving rules.

Trucker

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

Magnificent Obsession

A playboy tries to redeem himself after his careless behavior causes a great man's death.

Family Dinner

Tonight, dinner starts with a slice of tomato.

Vertical White

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical White is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Red

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Red is part of a trio of video works that are a series of dream-like moving pictures.

Vertical Wide

With a static camera Tan films the dense night-time traffic in West Los Angeles from her temporary studio location at the Getty Center. Undercutting the cinematic quality inherent in this view of teeming traffic, the upright frame instead suggests a domestic window or an abstract painting. The space is flattened, and the viewer is unsettled. Shorn of a narrative, Vertical Wide is part of a trio of video works that are a series of dream-like moving pictures.

Baby Boy

The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can't seem to strike a balance or find direction in his chaotic life.

Kramer vs. Kramer

Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy.

Næste Gang er det dig

The cause of the traffic accident should not be sought at the time of the accident itself, but long before. The motorist who has been drinking a little. The cyclist who is busy and the motorcyclist who drives correctly but still falls victim to an accident due to the ruthlessness of others.

Tangled

Feisty teenager Rapunzel, who has long and magical hair, wants to go and see sky lanterns on her eighteenth birthday, but she's bound to a tower by her overprotective mother. She strikes a deal with Flynn Rider, a charming wanted thief, and the duo set off on an action-packed escapade.