The In Between

Following the death of her brother, filmmaker Robie Flores returns to her hometown Eagle Pass on the Texas/Mexico border, wanting to turn back time. She collides with unruly experiences of adolescence – quinceañeras, Rio Grande river excursions, teen makeovers and beyond – that invite her to soak up the details of the home her brother adored and she ignored. What emerges is a playful dance between a personal and collective coming-of-age portrait of kids on the border and Robie herself as she rediscovers the possibilities of joy in the aftermath of grief.

Unraveled: The Kaitlyn Howard Story

A deep dive into the creative mind of University of South Carolina student fashion designer, Kaitlyn Howard.

Atlas

An atmospheric journey, following the unstoppable forces that shape this world. A story beyond humanity.

Under the Weight of a Waking Dream

‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.

Pico Sacro [The Holy Mountain]

In a leafy forest, a Galician sovereign who longs to attain wisdom meets a sorcerer, who tells him: “Go back to your country and study the Earth and the Stars in the sky; anywhere in the world reflects an image of it. You will ride on this arrow, which you must keep for a hundred years and a day. After this time, stick it in the widest valley of all those you possess, with the tip facing the sky. Then the Moon will come and, just as it exerts its action on the waters of the sea, it will act on the arrow, turning it into a holy mountain." - Legend about the Pico Sacro Inspired by Hokusai's views of Mount Fuji and Cézanne's paintings of Mont Sainte-Victoire, "Pico Sacro [The Holy Mountain]" aims to reveal the mystery and the magic that underlie reality.

FUCK TV

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

First Day of School

A documentary about an Iranian boy's first day of school. The beginning of hardships and understanding the realities of life, and perhaps unwanted pain and suffering.

The Birds Changed Names And The World Turned Into Ice

Migrant families experience violence, but they also keep beautiful memories when they arrive in new lands. Fantastic and intimate stories, recalled from childhood, travel across time and space, magically intermingling with the help of the four elements and breaking the boundaries of cinema.

The Art of Grieving

After the untimely death of his 35-year old brother, an artist explores the questions that surfaced from grief by painting 365 paintings and to spur conversation in culture.

INTERVENTIONS AND INTERFERENCES

Through a collage of spaces and times, the interventions and interferences of nature and human beings in the south of Brazil reveals themselves... or try to hide.

A Portrait of William Blake

A short documentary about the life work and philosophy of William Blake featuring an interview with John Higgs.

Die Weisse Arche

1/2 Man

A visual documentary of Einstürzende Neubauten, the German underground band, by Japanese cult director Sogo Ishii, made during their 1985 tour of Japan. The band makes an elaborate and remarkably choreographed appearance in the ruins of an old ironworks which was scheduled for demolition; footage of same was incorporated into the movie and a brief appearance on stage.

The Pleasure in Pain

A short film that follows key figures of the London kink scene on an exploration into BDSM and the notorious fetish event Klub Verboten. The film touches upon themes of psychology, trauma, LGBTQ+ rights and black representation.

You Cried: Let Me Go

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.

Reflections of a society

In this 21st century, under the cloak of capitalism, governments, and other systems by which society is governed, this short film shows the true social reality of many people “on the street”.

Boy Interrupted

On the night of Oct. 2, 2005, Hart and Dana Perry's 15-year-old son Evan jumped to his death from his New York City bedroom window. This moving film is the story, told by his filmmaker parents and others who knew him, of Evan’s life and death, and his life-long struggle with bipolar disorder. It delves into the complexity of Evan's disease, sharing his family's journey through the maze of mental illness. In showing how one family deals with generations of loss and grief, the film defies the stigma related to mental illness and suicide and tells a human story that touches everyone.

Trials and Initiation

Here is an actor, one who has been asked to dwell in the perilous gap between text and image. In the voids where traces of the past have been erased by an unknown error, she begins to assemble her own script.

Los días azules

Deshilando Luz

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?