A group of partygoers consider what awaits them after death.
Social & External
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
In an indeterminate future, forbidden memories challenge a database containing all human memories. An experimental cinematic search between past and future, fiction and fact, Prishtina and Tirana. The future, a glitch.
Emerging from the sea onto land an axolotl swims through complex terrain parallel to a man searching for an encounter with God.
A closeted transgender woman is comforted by dancing to confront her sexual demons.
A synthesis of sound and movement; colourful characters dance and move in repetitive patterns to percussive and melodic elements. A combination of motion and music that is hypnotic and beautiful. At first it feels structured and orderly but as more elements are added becomes quixotically expressive.
An old man's vision of a drowning world is clouded. He decides to take radical actions inflicting damage to his surroundings. Instigating a self-destructive chain of events, coming from the dark abyss of his subconsciousness.
An exploration of entering and leaving consciousness from the perspective of non-human bodies trapped in everlasting cycles of abuse.
A comfortable rhythm composed of light and shadow. Director Ogino-style absolute movie which freely manipulates geometric figures.
Upon his arrival in Paris, filmmaker Tomas Cali immerses himself in learning French, as well as the language of sketching. In an art studio, he meets transgender life model Linda Demorrir, who helps him to connect with himself and his new city in a profoundly different way.
An old woman is carrying shopping bags. A child with a gun is riding a scooter. Birds are flying. A city is falling. A party is lit.
A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.
In the heart of Saint-Malo, there's a gigantic area, covering 1/3 of the city, off-limits to the public. It's a part of the commercial port that's mainly accessible via an architecturally unusual footbridge that limits access. An inaccessible place that will be the first to disappear beneath the waves in a few years' time. Only strange sounds reach us from afar: whirring, construction noise, sirens wailing... This parallel world is bustling day and night. But it's in the depths of the night that unfamiliar sounds and lights arouse the most fantasies.
In a gargantuan city lurking in the sky, powerful immortals who have become jaded with eternal life. Most of their time is spent monotonously constructing bizarre and unusual objects while waiting for the ultimate gift to arrive.
Regeneration is a film about transformation. Starting in a dark place the character reaches toward the divine and breaks into the world of the spirit. Through this act representing an outstretched hand we see that the Holy Spirit represented as a dove is pursuing us even more urgently. The meeting of the two represents the freedom in flight found in trusting fully in the Holy Spirit and is completed with the return to the heart now fully regenerated.
LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)
A corridor of an apartment is transformed into a claustrophobic and vertiginous vortex that swallows and imprisons you in an infinite fall through a mise en abyme: it’s a pure enclosure inside the image world, it’s the Descent into the Maelstrom.
Full stop! is an experimental film that uses symbolic gestures of a high school student to explore daily life and broader social issues, particularly the responsibility of public officials for the tragedy that occurred on November 1, 2024, at the Novi Sad Railway Station. The main character of the film is not a person, but an ordinary pencil, which becomes a symbol of the everyday actions and inner struggles of a young person growing up in a system of deeply corrupted values. The pencil leaves a mark of our thoughts, aspirations, and reality. Its smallest trace is a dot, a full stop. However, to come to a full stop with injustice is a necessary and at the same time a great act.
arc of the natural world’s evolution from the primeval environment to the Anthropocene and back again premiered in program Death is Green at the Whitney Museum of American Art part of Dreamlands: Immersive Cinema and Art 1905-2016 organized by Chrissie Iles
A load of Halloween monsters freak each other out in a strobing cacophany.
An AI takes millions of inputs and rehashes them into something semi-new. The same thing human brain does when sleeping. Humans call it "dreams".
