Verdone racconta Leone

Mãos de Pedra

Fragmentos

Fragments is a documentary that explores the feelings expressed in dedications, using archival images and videos to reveal the emotions and memories they evoke.

La Stanza Di Una Formica

Domingo de Chuva

It portrays a Sunday in a typically Brazilian home, where food serves as a link to family ties, guided by conversations of all kinds, ranging from memories to gossip.

A Guerra do Pente

Curitiba, PR, December 8, 1959; at around five o'clock in the afternoon, Military Police sub-lieutenant Haroldo Tavares enters the Bazar Centenário, Praça Tiradentes, to buy a comb. He chooses one, finds it expensive and demands an invoice. The store owner, Amhad Najar, argues and they end up fighting. The warrant officer leaves the fight with a fractured leg. Outside the store, the people who were watching the fight and the fight rebel, destroy the merchant's store and go to other stores in the square. The police cannot control the situation. Late at night, a truce: the population goes to sleep, gathering strength for the following days, when the situation becomes unsustainable. The police withdraw from the streets, the Army begins to act and, on the tenth, puts the tanks on the streets.

Santa Rita de Sampa

Based on parts of Rita Lee’s autobiography “Uma Autobiografia”, the documentary explores Rita’s remaining legacy in her childhood home, which is currently the residency of missionaries. This film seeks to investigate the persistence of memories of spaces that no longer exist.

Vozes do Mangue

No Meio de Campo

Outros Abrigos

Coisa Triste Eu Esqueço

Travessia de Toshiko

Vale das Bonecas

Resgatando a qualidade

O Imperfeccionista

Refúgio dos Pássaros

L'età Sperimentale

Vozes que Desenham: Edição Zine!

"Vozes que Desenham: Edição Zine!" is a short documentary that explores the comics scene in Curitiba

Cine Lero-lero

O Carnaval é de Pelé

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.