Social & External
Sound is a journey. Each note opens a door, closes another. Instruments chart the course. Through a poetic and immersive lens, Sou Jazz shines a light on musicians from the Paraisópolis community, reaffirming the social and transformative power of art. The film invites viewers into a reflective, sensory exploration of the relationship between jazz and life on the margins.
A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.
A documentary web-series that presents experiences and resistance in the fight stories of the LGBT community. These stories are told in order to generate more empathy and compassion among people inside and outside the community, and especially, to bring a message of hope, strength, and resilience to all LGBTs, encouraging us to keep our heads up and continue to resist.
Life is what we don't want it to be.
In a Porto Alegre swallowed by real estate speculation, elderly residents begin to disappear without explanation. As new buildings rise at a frightening pace, a woman finds herself facing a truth no one else seems to see.
This autobiographical film documents an attempt at healing the trauma of touch between mother and child, as the filmmaker and their mother talk openly for the first time about the intergenerational trauma and abuse within their lives. Present day phone conversations are juxtaposed with archival VHS footage, creating a connection between the past and a re-write for the future.
The words I promised to Kin-ichi Motegi, 'This is the first and last. I tell you everything about Fishmans without telling a lie.' The friends who made the sound of Fishmans devoted their lives to music. Shinji Sato's way of life is packed in this movie for nearly three hours.
A documentary exploring the history and growing dangers surrounding the seemingly innocuous Myers–Briggs personality test.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari's novel, which Ferhani admits to having first perceived as a "literary fantasy", suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
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