A video essay by filmmaker Kogonada exploring the use of doors in the 13 feature films of Robert Bresson
Social & External
The people behind it
Katie Honaker
Narrator
There are two Bergmans. One speaks English, the other Italian. They fall in love and set off impulsively to live together. But reality is far from easy. As the rift between their emotions deepens, what choice will they make? And what kind of ending awaits them?
A love letter to cinema and a personal reflection on loneliness. Segment from Fringe Hippo's anthology film "Elegy Apokalypto".
A video essay on the history and morality of the Robin Hood legend.
A video essay made on S. Craig Zahler's 2015 film "Bone Tomahawk".
A video essay on Edward Yang's 2000 film "Yi Yi: A One and a Two..."
Non-human animals have always been around us, shaping and being shaped by our shared worlds. Yet in the modern city, their presence is increasingly cast as a problem, and their ways of living as disruptions. By following their traces, this film essay points toward a different picture that questions the narratives we take for granted. Through more-than-human encounters filmed locally in Romania, and a critical detour from the official discourse, other ways of living begin to surface. Perhaps there’s more we can do to unmake the anthropocentric landscape. What would it take to coexist more justly with urban animals? This film strays with this question and its possible answers.
In a world bedazzled by intractable images, do we need the essay film now more than ever? Kevin B. Lee weighs up this distinctively self-aware, searching form of cinema through both video and text.
The New York of News from Home was filmed in 1976, while the one of Taxi Driver was filmed in the summer of 1975. Both works reflect the same decadent city. Two visions that shift from the everyday to the existential complement each other. A resignification of Akerman's images through the voice-over of Scorsese's work.
A video poem about a house. The home, or at least its foundations, are what evoke memories of that childhood, now lost in time.
From 1920 to 1965, the great Buster Keaton made spectacular use of locomotives in his films. This video essay charts the course of his iconic cinematic career across the many tracks he rode along on screen: as a young man in the surge of his silent movie ascent in Our Hospitality, while making his masterpiece The General, and traversing the width of Canada on a railway speeder car as an old man in The Railrodder.
After the making of my previous film (PLAY DEAD!), some unfinished business remained on my desktop. Home movies and various body horror films from my childhood cluttered my computer screen. Part medical treatise, part self-anamnesis, and a mashup tinged with nostalgia, this video essay returns the images emanating from my computer screen to the everyday gaze of a diabetic.
An experimental short assembled from YouTube videos of the director’s former classmate, TV fragments, and a 2006 graduation interview recorded in Alchevsk. What starts as an ironic play with early-2000s home-video aesthetics slowly falls apart. Through montage of personal and online material, Chepelev tries to reconnect with a man he once loved – a man whom war and time have made almost unrecognisable. Laughter loses its protective function and gives way to the impossible wish to return to a place that no longer exists.
Through an exercise in fragmentation and personal memory, Autogazō examines the construction of self-identity projected across the six classical artistic disciplines. Navigating domestic archive footage, physical staging in darkness, and fractured reflections, the piece converges toward the seventh art: a threshold where cinema ceases to be a mere recording medium to embody the filmmaker himself.
Video essay on Heart of Stone, folktales and gothic horror by film and literature scholar Mary Going. Included on the Eureka! Entertainment release of of the 1950 DEFA film "Heart of Stone," or "Das Kalte Herz", the original German title.
A video essay on the film by writer and pop culture historian Keith Allison where he gives a concise historical-and-critical companion to Alberto De Martino’s 1963 The Blancheville Monster—released in Italy as Horror. Rather than functioning as a production-history interview, it places the film within the early-1960s revival of Gothic horror and then reads its particular blend of Poe-inspired nightmare, old-dark-house melodrama, and psychological uncertainty.
We continue our exploratory investigation into the depths of the comedy world, trying to figure out how and why it got so degraded and destroyed. Picking up from where our last exploration left off, we examine the current state of the comedy sphere, while probing the invisible techno algorithmic undertow that shapes our inner thoughts and outer behavior. We also consider humanity's innate and deeply subcortical instinct to belong to a group, and the amygdalar fear factory in our brain which influences us to stay with and protect that group. Comedy.
Continuing our investigation into how our current comedy era got to be so wonderful. They say that power doesn't corrupt, it reveals. Once a guy like Joe Rogan, the Comedy Czar, grabs hold of the reins of power, he can wield his power in any number of directions. We examine humanity's innate instinct to migrate, and where we head when there is nowhere else to go. How can the nature of subjective reality be leveraged and exploited. The complex psychological mechanisms behind the current comedy era. The powerful cult behind the destruction of everything that was ever good. Hyperreality, classic reality. And the cycles.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A documentary about the life and films of director John Ford.
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
The life and career of an actor, artist, and icon. His own journey through his own camera.
Daniel Craig candidly reflects on his 15 year adventure as James Bond. Including never-before-seen archival footage from Casino Royale to the upcoming 25th film No Time To Die, Craig shares his personal memories in conversation with 007 producers, Michael G Wilson and Barbara Broccoli.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A documentary on legendary movie-poster artist Drew Struzan.
A deep dive into the making of the Paranormal Activity films with first time ever interviews with cast and crew, never-before-seen footage from the movies, and a preview of the seventh installment in the franchise.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
A group of British children aged 7 from widely ranging backgrounds are interviewed about a range of subjects. The filmmakers plan to re-interview them at 7 year intervals to track how their lives and attitudes change as they age.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.
From a prolific career in film and television, Anton Yelchin left an indelible legacy as an actor. Through his journals and other writings, his photography, the original music he wrote, and interviews with his family, friends, and colleagues, this film looks not just at Anton's impressive career, but at a broader portrait of the man.
Stars of "The Walking Dead," Andrew Lincoln and Danai Gurira, walk down memory lane and visit iconic locations where pivotal moments between their characters, Rick and Michonne, were filmed.
A 1993 documentary film about Bruce Lee. The film includes interviews from some of his fellow students and opponents who worked alongside him in his movies.