Part of a series in which foreign filmmakers portray a region or town in France. Otar Iosselani looks at the Basque region and its inhabitants.
Social & External
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
Departing from peripheral details of some paintings of the Bilbao Fine Arts Museum, a female narrator unravels several stories related to the economic, social and psychological conditions of past and current artists.
The film follows five people from different origins as they move anonymously around the streets of Berlin. Each of them with another life somewhere else, trying to ascertain where to go.
Donostia-San Sebastián, Basque Country, Spain, 2011. Maider, a filmmaker, moves to the very same flat where pedadogist Elbira Zipitria Irastorza (1906-1982) clandestinely established the first ikastola, a Basque school, under the harsh regime of dictator Francisco Franco. Despite of her pioneering work, developed throughout thirty years, her story is not well known, so Maider, intrigued, begins to research…
The documentary tells the story of six friends who fought against compulsory military service in the Basque Country. They were all imprisoned for refusing to perform military service, and they all preferred prison to the army. They showed great courage and stubbornness, until they managed to win the antimilitarist struggle against the Spanish State.
The turbulent story of the Lagun bookstore — located in San Sebastián, in the Basque Country, Spain — is a powerful tale of courage, resistance and struggle; first against the Franco dictatorship, then against the terrorist gang ETA and its numerous and sinister acolytes.
Spain, 1997. The story of twelve days in July during which Basque society left indifference and fear behind and faced the threat of the terrorist group ETA.
An in-depth interview with José Antonio Urrutikoetxea, known as Josu Ternera, one of the most relevant leaders of the terrorist gang ETA.
The history of the citizens' movement that for thirty years worked hard to overcome fear, fight hatred and eradicate the violence exercised by the savage terrorist gang ETA, both in the Basque Country and in the rest of Spain.
In the north of the Iberian Peninsula, we find two regions that will provide us with great moments. These are the Basque Country and Navarre, two territories that are home to a high percentage of Europe's biodiversity. At Natura Bizia, we will reveal the best-preserved corners, the most spectacular biodiversity, and animal fauna in its wildest state. Vertical cliffs, an endless sea, magical forests, and enormous limestone mountains will provide us with unforgettable experiences. We will swim among the largest cetaceans on the planet, enjoy the first steps of the brown bear after its winter hibernation, witness the daily struggle of wolves to conquer new territory, and fly alongside the most powerful of our eagles.
In this documentary, we travel to the main locations where the musical movement known as "Basque Radical Rock" exploded, emerging in the Basque Country and Navarre in the 1980s. It recalls bands from that era, such as Cicatriz, Zarama, RIP, Eskorbuto, and Kortatu, and interviews some of its leading figures.
A documentary about Basque Radical Rock. Its name comes from a song by the well-known and successful band Hertzainak, which is also referenced in the documentary, along with the work of other rock bands and singer-songwriters. The documentary features interviews with musicians who played rock from mid-1975 to 1990. There are 23 interviews in total, with musicians from bands such as Barricada, Hertzainak, Itoiz, Zarama... In addition, the documentary includes spectacular images from that period, as the rock boom was linked to different movements in the Basque Country: gaztetxes (youth clubs), free radio stations, and fanzines. The documentary is a portrait of the youth who had just emerged from the dictatorship.
The chronicle of the process, ten long years, that led to the end of ETA (Euskadi Ta Askatasuna), a Basque terrorist gang that perpetrated robberies, kidnappings and murders in Spain and the French Basque Country for more than fifty years. Almost 1,000 people died, but others are still alive to tell the story of how the nightmare finally ended.
'Ama Lur' is a documentary, directed by Nestor Basterretxea and Fernando Larruquert, that premiered in San Sebastián in 1968, and it is considered the foundation of Basque cinema.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
The abject crimes of the terrorist gang ETA have marked the lives of many Spaniards; men, women and children who were silenced, harassed, persecuted, finally murdered. Thirteen stories, thirteen tragedies, just thirteen among thousands.
A reflection on the assassinations of social democrat politician Fernando Buesa Blanco and his bodyguard Jorge Díez Elorza, perpetrated by the terrorist gang ETA in Vitoria-Gasteiz, Basque Country, Spain, on February 22, 2000.
Euritan is a review of the narrative 'Klara eta biok', written by Itxaro Borda in 1985. Putting the author against the words of her past, it updates her view on the peripheral relationship around the Basque character.
This story begins in a small town in Euskal Herria known worldwide for its cheese. The inhabitants of this town put aside the differences created by the recent armed conflict in Europe to carry out a mission: to choose what to be in the world. This adventure will take them to witness the historic events of two nations that will be news in Europe: Scotland and Euskal Herria. A great story written in small print. A documentary of the new era that makes us look to the future
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
