This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.
Social & External
Self (archive footage)
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
A documentary about the cultural effect of film censorship, focusing on the tumultuous times of the teens and early 1920s in America.
"Bagong Buhay" is a short experimental film that dispels the common belief that packing up and moving to a new place will magically improve one's quality of life. The film challenges this presumption by portraying two contrasting ways of life through objects and locations, encouraging viewers to think critically about the complexities of what makes a better life. In the Philippines, it's believed that relocating to a new area will bring about positive changes in one's existence. True satisfaction is a complex and multifaceted notion, and "Bagong Buhay" encourages us to ponder that relocating to a new place is not a surefire way to attain it.
"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.
The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Documentary film with play scenes about the rise and fall of the short-lived Bavarian Soviet Republic in 1919 from the perspective of various well-known poets and writers who experienced the events as contemporary witnesses.
An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.
On a market day in Kernascleden, two Breton women exchange their hair for a few coins. The hair becomes hairpieces. Last scene, an elegant Parisian removes her hat and exposes her generous wig skillfully coiffed.
Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."
It is a dramatic film, with its colossal explosion and smouldering remains. Within seconds of the chimney's collapse, crowds swarm in to inspect the site; issues of the crowd's health and safety are clearly not a concern, as people smile, wave and salute the camera.
The movie depicts the events from July until September of 1914 which led to the defeat of the German troops at the Marne. While Sebastian Haffner explains and comments on operations and decisions on the basis of situation maps, key scenes are depicted by actors. A main focus is thereby placed by Haffner onto the controversial mission of lieutenant-colonel Richard Hentsch who is said to have, during a war patrol to the various army high commands, contributed to the abortion of the operations significantly.
This documentary shows how the Berliner workers lived in 1930. The director Slatan Dudow shows through images: a) the workers leaving the factory; b) the raise of the rents; c) the "unpleasant" guest, meaning the justice officer that brings the eviction notice; d) the fight of classes of the houses of capitalists and working classes; e) the parks of the working class; f) the houses of the working class, origin of the tuberculosis and the victims; g) the playground of the working class; h) the swimming pool for the working class, ironically called the "Baltic Sea" of the working class; i) the effects of humidity of basement where a family lives, with one member deaf; j) one working class family having dinner while the capitalist baths his dog; k) the eviction notice received from an unemployed family and their eviction.
William K.L. Dickson brings his hat from his one hand to the other and moves his head slightly, as a small nod toward the audience. This was the first film produced by the Edison Manufacturing Company to be shown to public audiences and the press.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Egypt's only modernist architect Hassan Fathy (1900-1989) was committed to ecology and sustainability in his architecture. This film takes us with slow steps, in still images, to two villages he created. Fathy's historically grounded, forward-looking designs prompt us to reflect on the past as well as contemplate new solutions for the future.
A documentary on the 1916 Easter Rising, written and performed by the duo Rubberbandits.
A short, early documentary work showing insects exhibiting extreme strength and agility.
Finland’s first nature documentary. The filmmakers’ expedition leads them all the way to the Åland Islands and the Karelian Isthmus.
