Based on abstract images by Kamler, Andre Voisin and Francois Bayle imagined the story of a messenger charged to bring to our planet the key to a forgotten wisdom.
Social & External
Narrator (voice)
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
Musicians inspired by the Moon. Since the Apollo landings, the Moon has entered popular consciousness like never before. A journey through pop music's lunar obsession.
A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.
Loose impressionistic brushstrokes sketch a series of portraits of two faces, one male and one female, while the verse on the soundtrack tells the tale of both one and a thousand relationships.
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.
A spring night is a poetic film which is based on the motives of the poem by V. Lugovsky. The film is devoted to the theme of fidelity to the battle traditions of revolutionary past, to the theme of human happiness the sense of it in the battle for high ideals.
Jankovics's adaptation of the eponymous play is divided into multiple parts, and depicts the creation and fall of Man throughout history.
One of two animation loops directed by Max Hattler, inspired by the work of French outsider artist Augustin Lesage (1876-1954). Based on Lesage's painting A Symbolic Composition of the Spiritual World from 1923.
Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
Two criminals take a trip up the coast of California. As they arrive at a small town- what should just be a small stop on the way- one of them begins to feel as though they've been their before.
An experimental film in which both sound and visuals were created entirely by Norman McLaren drawing directly upon the film with ordinary pen and ink. The main title is in eight languages. Rereleased with multilingual titles in 1949.
An abstract animation about people and organs of the body in and out of drawers.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
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