Film by Aleksandr Medvekin to a metonymic Chinese friend, advocating against Mao and the Ussuri River Skirmish.
Social & External
The people behind it
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."
A close examination of the Whakaari / White Island volcanic eruption of 2019 in which 22 lives were lost, the film viscerally recounts a day when ordinary people were called upon to do extraordinary things, placing this tragic event within the larger context of nature, resilience, and the power of our shared humanity.
Vladimir Ilyich Ulyanov, better known as Lenin, is remembered as the instigator of the October Revolution of 1917 and, therefore, as one of the men who changed the shape of the world at that time and forever, but perhaps the actual events happened in a way different from that narrated in the history books…
In 1943, the Imperial Japanese Secret Service made a film called Calling Australia! to show the "exemplary conditions" under which prisoners of war were kept, and to "soften up" the Australian public for the anticipated occupation of their country by Japanese forces. Prisoners of Propaganda tells why the film was made, and how it came to be forgotten.
A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.
Inspired by Patrick Pearse’s poem Mise Éire (“I Am Ireland”), this documentary assembles archival footage from across Europe to trace the rise of Irish nationalism from the 1890s through the 1916 Easter Rising. Directed by George Morrison, the film chronicles key figures and events of the independence movement, with Irish-language narration and a score by Seán Ó Riada.
Chronicles combat action of Hitler's elite bodyguard regiment from 1940 to 1941. From Rotterdam to Greece, German frontline cameramen captured footage of early victorious campaigns. Scenes of camp life and ceremonies convey an impression of the comradeship, pride, and elan of this mighty military formation.
National Press Club hears a speech from Alfred Hitchcock.
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.
Correspondent Nick Schifrin and producer Zach Fannin take us inside Vladimir Putin's Russia, with an in-depth look at the resurgent national identity, the government's propaganda machine, the risk of being a Kremlin critic and much more.
Between 1933 and 1945 roughly 1200 films were made in Germany, of which 300 were banned by the Allied forces. Today, around 40 films, called "Vorbehaltsfilme", are locked away from the public with an uncertain future. Should they be re-released, destroyed, or continue to be neglected? Verbotene Filme takes a closer look at some of these forbidden films.
The World Trade Centre attack was perhaps a foretold disaster waiting to happen. The proof is in this highly incandescent film: a rapid-fire montage of images taken from 20 years of Hollywood blockbusters. Edited and crafted with mastery in the Metamkine laboratory.
A sideshow barker uses magic and visual aids to alert the public that proper food management is both a resource and a weapon that could be to America's advantage if conserved properly in winning the then current World War. Preserved by the Academy Film Archive, Academy War Film Collection, in 2008.
A documentary film that includes footage of past Olympics held in different countries with an particular emphasis on the activities and successes of Japanese athletes and how they are currently (circa 1963) improving themselves.
The Katyn massacre, carried out by the Soviet NKVD in 1940, was only one of many unspeakable crimes committed by Stalin's ruthless executioners over three decades. The mass murder of thousands of Polish officers was part of a relentless purge, the secrets and details of which have only recently been partially revealed.
Documentary short film produced by the U.S. Army, intended to enlighten the American public on the final thrust of the Allied war effort in Europe and on the plans for the return home of American forces. Preserved by the Academy Film Archive in 2008.
World War II propaganda film on the importance of American farming. A morale booster film stressing the abudance of American agricultural output.
Don't Let a Machine Rewrite the Dream which you once held so tightly.
A disturbing collection of 1940s and 1950s United States government-issued propaganda films designed to reassure Americans that the atomic bomb was not a threat to their safety.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
“The Soviet Story” is a story of an Allied power, which helped the Nazis to fight Jews and which slaughtered its own people on an industrial scale. Assisted by the West, this power triumphed on May 9th, 1945. Its crimes were made taboo, and the complete story of Europe’s most murderous regime has never been told. Until now...
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
Amid the failing counteroffensive, a journalist follows a Ukrainian platoon on their mission to traverse one mile of heavily fortified forest and liberate a strategic village from Russian occupation. But the farther they advance through their destroyed homeland, the more they realize that this war may never end.
An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.
A look behind the lens of Christopher Nolan's space epic.
An experimental documentary that explores Saudi Arabia's relationship with the U.S. and the role this has played in the war in Afghanistan.
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
A documentary on the making of the three Godfather films, with interviews and recollections from the film makers and cast. This feature also includes the original screen tests of some of the actors for "The Godfather" film, and some candid moments on the set of "The Godfather: Part III."
A string of threatening emails escalates into a revenge plot involving a newly married US marshal and his ex-girlfriend.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
In an intimate and joyful story of love in the face of loss, celebrated poets Andrea Gibson and Megan Falley find strength—and unexpected hilarity—in what might be their final year together.