Social & External
"Woodstock - Mais Que Uma Loja" tells the story of the Woodstock Discos store, a stronghold considered ground zero for heavy metal in São Paulo and one of the pioneers of the style in Brazil.
Good Copy Bad Copy is a documentary about copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances.
A city that has been living for two years with the law that prohibits "clandestine parties". A youth who, when reunited, risks receiving a police raid on their doorstep, in the street, in the park or in the square. Spatial segregation, denial of the right to the city and public space for the leisure of the poor, black and peripheral. Willingness to make art, create music, lyrics, poetry, beats, hits and spread culture in this repressive scenario.
To do this documentary, the director Pedro Henrique Fávero featured 42 characters - among MCs, DJs and producers - to make a detailed map of its kind in the country. Without mincing words, they speak openly here about 8 topics proposed by the film and try to understand Hip Hop in Brazil. The result is a collection of stories from a lot of fighting, where there are many eternal start-end-start, overcoming the difficulties of being understood and feeling of belonging to a group and many clichés.
Documentary featuring contemporary interviews with 5 of the revolutionary activists who kidnapped US ambassador Charles Embrick in August 1969 in Rio de Janeiro and some of the political prisoners who were freed from prison in exchange of the ambassador's liberty and flown out of Brazil to Mexico in an army cargo airplane "Hércules 56".
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
A documentary following the day life of fans in Brazil on July 13, 2014: the day when Germany and Argentina met up in the finals of FIFA World Cup.
The long awaited documentary about Sepultura's incredible journey from Brazil to the world.
Brazilian singer Maria Bethania has a 40-year singing career. A documentary shows her concerts and famous family.
The ultimate guide to the players on the road to Rio. Ahead of the world football tournament in June & July, Stars in Brazil celebrates ten of the world’s most talented players on the road to Rio. From Cristiano Ronaldo’s breathtaking skills to the brillance of Wayne Rooney, Stars in Brazil offers detailed player profiles, fantastic footage and exclusive interviews with football experts.
A whimsical blend of live action and animation, "Saludos Amigos" is a colorful kaleidoscope of art, adventure and music set to a toe-tapping samba beat. From high Andes peaks and Argentina's pampas to the sights and sounds of Rio de Janeiro, your international traveling companions are none other than those famous funny friends, Donald Duck and Goofy. They keep things lively as Donald encounters a stubborn llama and "El Gaucho" Goofy tries on the cowboy way of life....South American-style.
This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.
Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
A Brazilian theatre group that through talent, irony and humour confronted the Brazilian violent dictatorship in the 1970s revolutionising the gay movement worldwide and changing theatre and dance language to an entire generation.
The documentary is a production that addresses the evolution of health policies in Brazil, highlighting how health practices were implemented and evolved from being seen as an individual duty to a right guaranteed by the state. The film uses a fictional narrative with period reconstruction and is supported by archival material to illustrate the changes in health policies over time. The film's language adapts to the predominant media of each depicted period, such as newspapers, radio, black-and-white TV, color TV, and finally, the internet. It was produced through the initiative of the Secretariat of Strategic and Participative Management of the Ministry of Health, in partnership with the Organização Pan-Americana da Saúde (OPAS) and the Universidade Federal Fluminense (UFF). It is intended for free distribution, especially focusing on Health Councils, educational institutions, and social movements. A version with Spanish and English subtitles is under discussion to expand its reach.
Go up-river and deep into the jungle far from Brazil's cities and stadiums, where families of giant otters, tufted capuchin monkeys and mischievous coati (South American raccoon cousins) rally their wits to survive in a breathtakingly beautiful yet dangerous land.
Memories of a parrot who participated in the filming of the classic Vidas Secas, in 1962, where it was featured along the puppy Baleia.
How Do You See Me? is a Brazilian documentary feature that entwines both experienced actors and beginners to explore the hardships and the happiness that are inherent to the job when detached from the glam and glitz of the gossip industry, creating a diverse and comprehensive mosaic of what it means to be an actor in Brazil, a country so full of contradictions. The film brings forward a reality that the masses usually don't get to know: the men and women moved by a deep passion for acting and touching people. With Julio Adrião, Matheus Nachtergaele, José Celso Martinez, Cássia Kis, Nanda Costa, Babu Santana, Luciano Vidigal and Letícia Sabatella, among others.
In the 1970s, they were championing the fight against Brazil’s military dictatorship. Forty years later, what’s left of Libelu? What does adult life have in store for you after the revolutionary youth?
