Social & External
At Arecibo Observatory in Puerto Rico, Eliana Nossa studies the ionosphere. This short films tells the story of Columbian researcher Eliana Nossa as she explains her study of the ever-changing universe, Arecibo's technology and data, and her role as a woman among her male colleagues. She studies the ionospheric irregularities that impact terrestrial communication.
At Arecibo Observatory in Puerto Rico, “Near Earth Asteroids: Dr. Anne Virkki” tells the story of Research Scientist Anne Virkki and her ongoing studies on asteroids and their threat to humanity. Originally from Finland, Anne Virkki shares her experience in education as well as her studies on asteroids, including her work hunting and tracking asteroids headed for Earth.
Alessandra Pacini, solar physicist and mother of two, has dedicated her life to researching our sun and its relation to the rest of our solar system. Traveling across the globe with her family, from Finland to Puerto Rico, Alessandra is on a mission to discover the great mysteries of our solar system.
We Are Still Here is a student-made documentary from the University of Puerto Rico, Mayagüez campus (UPRM) about the lives and experiences of the Peñolanos from Barrio Rucio and adjacent communities who have resisted generations of adversities due to their geographical location and at the hands of the Puerto Rican government. Centered on resistance and collective care among communities, this inaugural documentary produced by the Oral History Lab at UPRM and funded by the National Endowment for the Humanities showcases how community work by projects like Aula en la Montaña and organizations like Impacto Juventud GC Inc. demonstrate that strength lies in union and that true healing occurs through mutual accompaniment between community and volunteers.
A night in the life of a cab driver in San Juan, Puerto Rico.
PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
What is "la escena" (the scene) and what is its importance, if any? Guillermo Gómez Álvarez tries to answer these questions with candid interviews from musicians and fans of the vibrant and, many times controversial, punk music scene in Puerto Rico. The decadence, rage, drugs, alcohol, politics, and social aspects are showcased in this documentary that tells an important part of the history of the great dysfunctional family that is "el punk boricua".
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
Puerto Rico, the last relic of colonization in the western hemisphere, has been a dependent territory of the USA since 1917. Los Macheteros and one of its leaders Juan Segarra have been fighting for its full independence for many decades.
Explore the 500-year history of the city of San Juan, from the move from Caparra to the different invasions during these centuries. It also looks at how different situations and people were key to what is now the capital of Puerto Rico. This documentary presents, through the recreation of key situations, archival material, and accounts of historians and researchers, decisive moments that influenced what is now the capital.
Two tons of snow—flown from New Hampshire to Puerto Rico in 1952 in order to “gift” Puerto Ricans a “white Christmas”—become a metaphor for the colonialist paternalism of America’s relationship to Puerto Rico.
After a run-in with local thugs, aspiring Harlem rapper Rob flees to a place and father he never knew, and finds his salvation in Reggaeton, a spicy blend of hip-hop, reggae and Latin beats. Puerto Rico, the spiritual home of Reggaeton, inspires Rob and his step-brother Javi to pursue their dream of becoming Reggaeton stars. Together with a dancer named C.C., they learn what it means to stay true to themselves and each other, while overcoming obstacles in love, greed and pride, all culminating in an explosive performance at New York’s Puerto Rican Day Parade.
At least we're alive. Humberto.
Legendary singer Daniel Santos lives in Ocala, Florida, and prepares his biography with Secre, a young journalist. The memory of past glories makes him embark on one more adventure: a tour of South American countries where he was known as “El Jefe” (The Chief) and where he expects to be yet again acclaimed and applauded.
Documentary on the mass sterilization of Puerto Rican women during the 1950s and '60s.
The Hurricane Maria represented a historic event for the island of Puerto Rico. The Puerto Rican spirit at the helm of this natural disaster was shattered beyond repair. And from the rumble the Puerto Rican spirit will be reborn again. Omar Iloy makes a desperate call to the wounded spirit of the island, a call for hope and help.
Made for the Celery Festival in Barranquitas, Puerto Rico, this documentary presents the entire history of Celery and its importance in the town of Barranquitas, as well as the evolution of the most important Agro-Cultural Festival in Puerto Rico.
Short documentary about the life of Dr. Pedro Albizu Campos.
Artificial intelligence is taking on different roles in the filmmaking space. The questions we must ask ourselves are: what are the pros and cons of this advancement? How can we work with it, and what power do we have as human beings in the face of this technology?
