Documentary about notorious actor/director Erich Von Stroheim.
Social & External
The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
This film records the vast public response to the early death of Vera Kholodnaya, the first star of Russian cinema.
In 1902, Emery and Ellsworth Kolb opened a studio in the Grand Canyon and began making photographs of mule parties, landscapes, river adventures, and nearly every other dramatic scene and incident that occurred in the area. They also successfully navigated the Green and Colorado Rivers in 1911, filming their journey. This film ran in the Kolb Studio in the Grand Canyon from 1915 until Emery's death in 1976.
Short documentary released in 1907.
A documentary on the 1928 Olympic Games in Amsterdam. Made by Istituto Luce, there is an understandable focus on Italian athletes, but it is the first Olympic documentary that describes the techniques of certain events.
It is a dramatic film, with its colossal explosion and smouldering remains. Within seconds of the chimney's collapse, crowds swarm in to inspect the site; issues of the crowd's health and safety are clearly not a concern, as people smile, wave and salute the camera.
On a market day in Kernascleden, two Breton women exchange their hair for a few coins. The hair becomes hairpieces. Last scene, an elegant Parisian removes her hat and exposes her generous wig skillfully coiffed.
Also known as The Operation of Dr. Alejandro Posadas. Filmed with early orthochromatic film in the Hospital de Clínicas de la Ciudad in Buenos Aires.
Lucien Bull was a pioneer in chronophotography. Chronophotography is defined as "a set of photographs of a moving object, taken for the purpose of recording and exhibiting successive phases of motion."
A retrospective look at the global impact of Alien, the science fiction and horror masterpiece directed by British filmmaker Ridley Scott in 1979, exploring the origins of its unique aesthetic and the audacity of its screenplay.
A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.
A short, early documentary work showing insects exhibiting extreme strength and agility.
Street Trading. Fishermen's wives from Skovshoved sell their fish from the stalls at Gammel Strand. Anker Kirkeby is in the picture.
The remains of the Baltic Violence have been eroded away by the large steam excavator. There is a man standing at the railway cutting as trains pass. He throws something into the railway cutting. This person is seen in several of the recordings from 1913. It may be journalist Anker Kirkeby.
Footage of the expedition leaving Antarctica from New Zealand shot by government cameraman James McDonald. His excellency Admiral Sir Wilmot Hawksworth Fawkes, Commander-in-Chief of the Royal Navy's Australian Station, visits and inspects the "Nimrod."
A tribute to Italian filmmaker Sergio Corbucci (1926-90), presented by American filmmaker Quentin Tarantino.
The story of Enrique Herreros (1903-1977), cartoonist, advertiser, poster designer, talent manager, actor, producer and filmmaker, and the most daring of mountaineers; the man who, along with his companions from the so-called “other Generation of '27,” brought Hollywood to Madrid's Gran Vía, turning a grey and sinister post-war city into the capital of an incipient and ambitious cultural industry.
The life and professional career of the Spanish filmmaker Florián Rey (1894-1962), a brilliant artist who began his career in silent films and had great commercial success during the Second Republic (1931-1936): a journey to the early days of Spanish cinema.
Madrid, Spain, 1949. The Circo Americano arrives in the city. While the big top is pitched in a vacant lot, the troupe parades through the grand avenues: the band, a witty impersonator, the Balodys, acrobats, jugglers, acrobatic skaters, clowns and… Buffallo Bill.
Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.
