Social & External
A sociological portrait of the United Kingdom after the historic Brexit vote of 2016. A funny, sometimes terrifying and non-judgemental look at the new populist politics sweeping western democracies.
Staged as a series of voiceover sessions, written with gloriously off-balanced precision and dipped in the color green, THE FUTURE TENSE unfolds as a poignant tale of tales, exploring the filmmakers’ own experiences in aging, parenting, mental illness, along with the brutal history that lies submerged beneath Ireland’s heavy, moist earth.
This is a film made by the some of the 48% who voted Remain. The film is of the 48% and for the 48%. It is their story, feelings and reasons for remain, made totally from their perspective.
Data—arguably the world’s most valuable asset—is being weaponized to wage cultural and political wars. The dark world of data exploitation is uncovered through the unpredictable, personal journeys of players on different sides of the explosive Cambridge Analytica/Facebook data story.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
On 1 January 2021, the UK's transition period with the EU ended and new rules and regulations were agreed at the last minute. This is a time for reflection on the social phenomenon that is Brexit - which has now become a British trademark world-over, alongside the Royal Family, fish and chips and Sherlock Holmes. Brexit Through The Non-Political Glass puts politicians and public sentiments to one side, and seeks the opinions of non-partisan world-class experts - the scholars and professional advisors who specialize in this very topic; no politicians and propagandists, and no social media and populism; among the experts is Vernon Bogdanor, the Oxford tutor of former British prime minister David Cameron, who was consulted before the referendum was offered to the nation; you will hear what his advice was.
Every day, the Carlingford ferry takes travelers from Northern Ireland to Ireland, a short sea voyage across an invisible border that invites reflection on the consequences of Brexit.
With the Brexit deadline pushed back and the prospect of a "no deal" looming large, here's a look back at eighteen months of tensions in the footsteps of European negotiator Michel Barnier, at the heart of the negotiations and twists and turns of the biggest divorce in history.
Exclusive access to chief diplomat of the EU Federica Mogherini as Europe faces a crumbling world order.
A feature-length documentary to show why Britain should vote to LEAVE the EU - and would thrive outside of it. Brexit: The Movie spells out the danger of staying part of the EU. Is it safe to give a remote government beyond our control the power to make laws? Is it safe to tie ourselves to countries which are close to financial ruin, drifting towards scary political extremism, and suffering long-term, self-inflicted economic decline?
Belfast-born actor Stephen Rea explores the impact of Brexit and the uncertainty of the future of the Irish border in a short film written by Clare Dwyer Hogg.
Laura Kuenssberg tells the inside story of how David Cameron's referendum plan backfired, and Vote Leave won. How will this political revolution reshape Britain's politics?
Award-winning director Patrick Forbes goes beyond the headlines to film the bitter battle to govern Britain after 2016’s referendum vote. Filmed over one extraordinary year, it’s a story of low politics, high ambition and bitter personal animosities – at stake the biggest decision the UK has taken for decades. Can the prime minister tame the judges, the opposition and finally the public to deliver Brexit? One thing everyone involved agrees on, get this wrong and, ‘we will see another even bigger seismic change in this country’s politics’.
BBC documentary charting the politics of both sides of the Brexit campaign and the resulting changes in Westminster.
On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted a few weeks earlier.”The most provocative of the bunch is John Smith’s Who Are We?. Leading up to the Brexit vote, BBC’s Question Time became ever more vicious and confrontational. Who Are We? is a manipulation of one of those broadcasts, with David Dimbleby prompting “you, sir, up there on the far right” repeatedly.“Get our identity back – vote leave!” one audience member shouts, while another declares himself a veteran, followed by a swift manipulated cut to rapturous applause. It’s a heavily edited and remixed edition of Question Time, but by highlighting those in the audience with attitudes ranging from nationalistic to xenophobic, Smith’s short film shows the now normalised extremism within our society and our political discourse.” Scott Wilson, Common Space magazine, April 2017
Events take a sinister turn one night in London, when two very different couples arrive at a double-booked apartment. Actions have consequences and not all debts are paid for with money. Leaving, it's harder than you think.
Political strategist Dominic Cummings leads a popular but controversial campaign to convince British voters to leave the European Union from 2015 up until the present day.
In Transylvania, Romanian charcoal burners work for ten months of the year in dusty, hot, and dirty conditions to turn wood into charcoal.
Petrov, an employee of the Saransk clinic, finds himself on call in the Mordovian village of Sidorki. Meeting the local doctor Zhukov and realizing the need for people changes his fate. The hero gives up his scientific work and moves to the village.
An unfortunate man finds himself in the middle of a very realistic film shoot...
This innovative and spectacular 3-part series shows how examples from nature can make human beings and their machines faster, smarter and more efficiently. Whether in ice deserts, under thousands of meters of water, or on the highest mountains in Order to survive, animals need the conceivable best, toughest and most sophisticated equipment. Over the past three and a half billion years of evolution always had it develop new, more crafty plans and recipes. When we observe people's nature, therefore we find many of our own toughest technical problems already solved. We just have to look closely.
Biography of the legendary filmmaker directed by his son.
Two unsuspecting thieves break into the wrong house and must face a sinister home owner.
A documentary presenting the behind the scenes of Rob Reiner's classic "Misery", with Reiner himself, Kathy Bates, James Caan, Frances Sternhagen, writer William Goldman, Barry Sonnenfeld (the film's cinematographer) presenting their views on the film years later of its release and the impact "Misery" had in their professional lives.
Sensuous Eva keeps quite a few of the villagers on the go and likes to stir up trouble. But what else can she do in such a sleepy village where even her best friend Katharina no longer has any time for her. When Eva is found dead, the whole village is in turmoil. The presumed killer is quickly arrested: Clemens, the sexton of the local community and a peeping-tom. Katharina becomes more and more suspicious when she finds one of Eva's earrings in the church. Does Christoph - her father - have something to do with the murder of her friend?
The old peasant Minago Iremadze and his wife miss their children who live in the city. The older brother married a city girl, the younger studies there. Minago decides to bring them back home. He goes to the city and tells everything to his sons. The brothers understand their dad well but cannot abandon the city life.
The lawyer Dr. Wagner is a real disgust - neither for his employees nor for the residents of his apartment building does he have a friendly word. But when a violent pipe break in Wagner's penthouse flooded the apartments underneath on Christmas, the neighbors who had become "homeless" made a radical decision: Since Wagner refused to help his tenants, they settled under the leadership of the resolute Rita and her adult daughter Sophia without further ado with the stubborn loner - for a few happy, if not exactly quiet, Christmas holidays.
A bicycle messenger sees a girl being brutally assaulted and dragged into a van. She immediately calls the police, but unfortunately the girl is found too late. It turns out that the murdered girl has been the victim of a serious sexual crime. Detective Inspector Irene Huss and the rest of the team begin to look for the murderer, but have very few clues to go on. When another young girl is murdered in a similar way, the team realizes that they are dealing with a sexual predator. How does he get in touch with the girls? Why do they agree to meet him? Why are they wearing special underwear?
57-year-old Hilde likes to lead the way - both in her family and at work. That's why she regrets having failed with her own restaurant years ago. Now she may be making her umpteenth new start at the Quincy's burger chain, but she remains true to herself: she only sticks to rules that make sense to her! When Hilde is dismissed by the branch manager, her own son Tommie, she puts all her eggs in one basket: together with her two friends, whom she already had on her team as canteen manager in GDR times, Hilde wants to take over the sports hall and offer home-made burgers there - not ordinary hamburgers, but "McLenBurgers"!
When the heart has been crushed, its the reaction that will determine the outcome navigate through the storm.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
In the vestibule of a hospital room, a young boy waits to see his dying mother. The clamor and spiralling movements of bodies around him intensify, forming a grotesque circus—a cacophonous circle that pushes the child back, depriving him of one final touch of his mother's hand. Using rotoscoped drawings suggestive of charcoal sketches, as well as 3D and object animation techniques, The Circus compels viewing with its unsettling realism. Colour is employed metaphorically to subtly express the promise and the memory of maternal affection. Nicolas Brault's highly personal film, suffused with poetic modesty, casts a poignantly sincere gaze on the heartbreak of a child facing the fearful, mysterious experience of his mother's death.
Anatoly Borozdin about the technological challenges of humanity, the invention of the bagpipes and the superpowers of homeless people, the film Aladdin, Guy Ritchie and Yuri Bykov, about sexual education and genes.
The Leipzig Gewandhaus Orchestra and their Music Director Riccardo Chailly have already acquired legendary status – glorious reviews and many awards for their recordings testifying to their continuing success. At Leipzig’s International Mahler Festival, to mark the centenary of Mahler’s death, they performed his monumental Second Symphony in the Gewandhaus – together with two marvellous soloists and choral forces quite beyond compare. About the final movement the composer said: “The increasing tension, working up to the final climax, is so tremendous that I don’t know myself, now that it is over, how I ever came to write it.” The painting “Morgenrot” was chosen by internationally acclaimed artist Neo Rauch to feature on the cover of this release on DVD and Blu-ray.
The Archivist, your tour guide through the beyond, takes you through three nightmarish situations spanning time and space as he reads from his book, "The Anthology of Terror".
