Expeditious.
Social & External
Life drums the playfulness out of a boy as he grows up.
This is a story of love seen from a square, in which a couple gets united, separated and rearranged again. A special kind of puzzle.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
Slow disintegration and aging of artists head, revealing underlying bone structure. Created using old picture-phone technology. New music added in 2013.
Hand painted directly onto film stock by Margaret Tait, this film features animated dancing figures, accompanied by authentic calypso music.
A short film advertising the newspaper Sztandar Młodych (The Banner of Youth), noteworthy for its abstract elements painted directly onto film stock. An attempt at showing the complexity of the world in a capsule, the film reflects the new policy of the openness to the West during the Thaw of the late 1950s in Poland.
An experimental short from Oskar Fischinger
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
"My last image of Jonas."—Ken Jacobs
Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
A showcase for the MCAD Animation Workshop 1972 where each student was given one of a series of cells to animate whatever they pleased.
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many of German Expressionism’s characteristic motifs, in the span of a pop song.
Bill struggles to put together his shattered psyche.
Director's cut release of the war/mecha anime series "FLAG" features famous scenes from the series edited together into a cohesive, realistic story about war. Camerawoman Shirasu Saeko's photo of residents of a war-torn Asian country struggling to raise the flag of the UN became the symbol for the movement of peace across the land. However, on the eve of a truce, the actual flag captured in the photo is stolen and war once again threatens to plague the land. To return the flag and establish peace in the land, the UN sends a lone mechanical army called the SDC (pronounced as Seedac—Special Development Command).
Shows a couple (Adam and Eve) and various objects, simultaneously, in time, space and movement.
Four types of visual interpretation of four songs by Karol Szymanowski. Polish words by Julian Tuwin, English translation by Jan Sliwinski.
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