A haiku about a window and a woman.
Social & External
A woman is obsessed with a mysterious black box.
Approaching the microphone in a small room, a young woman prepares to make the speech of her life. Desperate to find her voice in the wake of an ended relationship, she resorts to sharing any piece of advice she can muster. Her reflection on their differences strikes up an imaginary conversation.
A popular high school girl strains her relationship with her close-knit clique when she begins falling for a reclusive, lower-class schoolmate.
In continuous motion with no end or barrier in its way.
A manufactured memory.
This hand-painted step-printed film begins in a field of white light slightly bespeckled with ephemeral glazes of flecks of silver which gradually give way to pale suggestions of pastel colors. These take shape occasionally and flicker the forthcoming bits of solid colored and multiply formed abstract images, a few brief sequences-of-such intersperced with the cloud-suggestive silvered passages as at beginning, which eventually end the film.
This portrait of a guinea fowl is the first clear vision I've had of the hot-blooded dinosaurs still living among us. (SB)
WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.
This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.
This stream-of-consciousness could be nothing less than pathway of the soul, as images of Marilyn's window are remembered from inside-out, its "view" interwoven with all of other windowing and the Elements of the known world.
"Firstly, I revealed in salutary confession the secret filth of my misdeed, which had long been festering in stagnant silence; and I made it my custom to confess often, and thus to display the wounds of my blinded soul..." (Petrarch, 1352, in a letter to his brother). I wish to avoid any "classical" misunderstandings of the above quote by stating clearly here that any sacrifice of love is, yes, "filth" or at the very least "misdeed." An academic reading of Petrarch tends to bias thought that there are kinds of love which might be wrong: I do not believe this. (SB)
Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)
After a six -or seven- year study of Hammurabi's Code, original Babylonian Text and translation, I've tried to feel my way into the moving visual thought process of this ancient culture (whose numerical system is composed primarily of building materials, nails, joints and the like): this, then, is a visual music which balances the two thought processes of Structure and Nature.
Out of the vagueries of sometime beseeming repetitive light patterns, and the delicately variable rhythms of thought process, the imagination of The Monumental and of the Ephemeral are born to mind hard as nails.
This is an architectural garden of the variably brash rock-solid liquid-encompassing, but always imitative, human mind as it processes the given light thoughtfully. This film is about that.
A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.
Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.
Faces pass by in quickly edited, split-screen recordings. A 'structuralist' film in which the film material itself plays an important role. Grain, scratches and flickering give the film texture. The music is by Steve Reich.
Marguerite loses her wallet, and it's found by Georges, a seemingly happy head of family. As he looks through the wallet and examines the photos of Marguerite, he finds he's fascinated with her and her life, and soon his curiosity about her becomes an obsession.
A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by development. the forces behind it are demanding him to leave, but also consequently push him further and further into his not-home.
Animated adaptation of Kir Bulychyov's sci-fi short fiction.
Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
Amid the vast, sunlit farmlands, two young men engage in an everyday conversation about the struggles of rural life, from failing crops to financial pressures. Their quiet afternoon takes a somber turn when a third man arrives to chop down a tree that has been sold for a modest sum. As the axe strikes the trunk, the act becomes a powerful metaphor for the sacrifices forced upon those trying to make ends meet. Through understated visuals, विडंबन poignantly reflects the harsh realities and quiet resilience of rural life.
Exciting scenes of amateur cycling's 'Race of Champions' at Manchester's Fallowfield track.
As nuclear war looms, a woman must make a final phone call.
A new father going through a marital separation joins a dating app and matches with a beautiful but mysterious young woman... whose powers of seduction and manipulation entangle him in a mystery more horrifying than he could have ever imagined.
In Fox's contribution to the all-star revue cycle of early talkies, showboat singer Margie, hearing that the show is in arrears, goes to New York to gather all of the former stars to stage a minstrel show as a benefit.
Set amidst the civil war of Algeria in the 1990s, Enough! is the story of two women. Emel is a Westerner whose husband, a journalist, is missing - perhaps kidnapped or even killed for articles he's written.
Directed by Patrick Gramm, 'The Pigeon People' (2023) takes you deep into Arizona's underground pigeon racing scene as racing rivals prepare for and compete in the Grand Canyon Classic - a 350-mile pigeon race from Utah to Arizona that crosses over the Grand Canyon.
A handyman named Hans moves to a small town in Majorca where his his presence strikes a discord with the local residents.
Chaos ensues as a gay actor and his female costar fake being a couple as they try to save the press junket for their new television show.
Fictional documentary that narrates the 40-year period of Argentine history from the 1930s to the 1970s.
The life of the people of Oaxaca is altered by the arrival of a multinational company. Will the inhabitants be able to face it?
Local Bhojpuri politicians fight each other and unleash terror on villages in order to grab land from poor farmers after Pramod, a righteous young leader, dies.
An injured man lies completely still in a hospital room with doctors hovering at his bedside, appearing serene and peaceful as he slowly succumbs to death. However, in his own mind, memories of a recent battle vividly flash by. Thoughts of death and chaos haunt him, even in his final moments.
The famous musician, Allam, is the son of his friend Jalal, who loves to sing. Jalal recognizes the singer Siham and connects the love between them and agree to marry. Allam suffers from a knot that has been associated with him for years when he was betrayed by the woman he loved and who does not trust women. But he feels love about arrows and tries to win them. Opposes her marriage to Jalal and at the same time admits her love, Jalal asks Siham, to sacrifice her love for fear of Allam from another shock. However, Allam is aware of the error of what is presented to him, he grows arrows in years, as well as attached to the glory and love for her. Bless their marriage and prepare for the new operetta.
