Vjeran Tomic: The Spider-Man of Paris

In his own words, the burglar behind the 2010 robbery of the Paris Museum of Modern Art tells how he pulled off the biggest art heist in French history.

All Quiet on the Western Front

At the start of World War I, Paul Baumer is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside.

Maison du Bonheur

When asked to make a documentary about her friend’s mother—a Parisian astrologer named Juliane—the filmmaker sets off for Montmartre with a Bolex to craft a portrait of an infectiously exuberant personality and the pre-war apartment she’s called home for 50 years.

La Cerisaie

The We Should Game

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

Uncensored Women

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.

The Blood of Others

In the German-occupied Paris, Helene is torn between the love for her boyfriend Jean, working for the resistance and the German administrator Bergmann, who will do anything to gain her affection.

A Day in the Life of French Cinema

Documentary showing one day of work of over 90 actors and filmmakers from French cinema on the same day. On 27 March 2002, 27 teams filmed actors, directors, producers and technicians at work, from Hawaii to Paris and from New York to Lisbon.

Homo Cinematographicus

Homo Cinematographicus is a human species whose unit of measurement and point of reference is the cinema and its derivative, television. Filmed at the 1998 Cannes Film Festival, the film offers an unspecified number of statements, talking about memories and a thousand fragments of stories, titles and film scenes, the warp of a gigantic collective Chanson de geste.

Breaking the Silence: The Maria Soledad Case

In '90s Argentina, the murder of a high school student sparks widespread protests. Retold by her loved ones, this documentary shows their fight for justice.

Hollywood Rated 'R'

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

Hitler's Forgotten Victims

The story of black and mixed race people in Nazi Germany who were sterilised, experimented upon, tortured and exterminated in the Nazi concentration camps. It also explores the history of German racism and examines the treatment of Black prisoners-of-war. The film uses interviews with survivors and their families as well as archival material to document the Black German Holocaust experience.

Pirates of Silicon Valley

The story about the men who made the world of technology what it is today, their struggles during college, the founding of their companies, and the ingenious actions they took to build up the global corporate empires of Apple Computer Inc. and Microsoft Corporation.

1985: Heroes among Ruins

"1985: Heroes among Ruins" is a reflection of disaster. It is about the human solidarity, the search and rescue and the importance of civil protection, but above all, the triumph of the people over devastation during the earthquake of September 19, 1985 in Mexico City and the one ocurred in September 19, 2017.

Chavela

Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.

Lobanov

The 2021 Duma elections made Mikhail Lobanov a recognizable Moscow politician. The 37-year-old mathematician, lecturer at the Moscow State University, has long been involved in social activities: ten years ago he opposed political agitation at the university, participated in the creation of an independent association of university employees to protect their rights, and was almost fired for his activism. In 2021 elections, Lobanov ran for the Communist Party (he is not a member of the party, calls himself a democratic socialist) and waged a powerful grassroots campaign against the pro-government candidate, TV presenter Yevgeny Popov.

Jean-Luc Mélenchon, l’homme qui avançait à contre-courant

Summer 2024, a TSW story

The Congolese Rainforests: Living on Borrowed Time

In June 2010, French actress Marion Cotillard spent a week in the heart of the tropical forests of the Democratic Republic of Congo with members of Greenpeace France and Greenpeace Africa. She delivers in video a strong testimony on the looting of Congolese forests which benefits a few industrial groups, often European.

The Arrival of a Train at La Ciotat

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.