Filmed on location in Vignaccio, Grosseto, Italy.
Social & External
A brass band member's hate comment in a public toilet triggers a chain reaction of diverse social expressions.
Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.
A young boy creates a make believe world to escape his truth, a world where, at the water's edge, beneath the shade of an ancient tree, a mother forms a perimeter to protect herself and her child from an unspeakable darkness.
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
A man covers his head with several headscarfs, one by one... .
Jay and Matt move everything out of "Stu's" garage. A road trip of memory ensues.
One night, a supernatural figure emerges from the darkness to find a human who is grieving the death of his mother. As the figure watches closely, it soon discovers the value of human love and its strength to bring people together.
A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.
From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.
A documentary like no other. Starting with the bizarre practices and fantasies of a group of filmmakers working under the label Experimental Film Society, it spins off into a manifesto of light and sound. This dazzling journey through a view of cinema as cosmic ritual and erotic delirium is also an idiosyncratic celebration of the medium itself. Rouzbeh Rashidi’s ornate visual style unleashes a parade of visionary scenes that redefine movie magic as a fevered hallucination.
"Port Meadow" is an experimental landscape film. It was shot in the eponymous location––an ancient grazing land located in Oxford, England––during the nationwide lockdown of November 2020. Consisting of various long takes, the film examines the relationship between human life and the natural environment, and meditates on the ability of filmic technology to simultaneously articulate and contribute to the (illusory) stratification that underscores this association.
Impressions about fighting the passing of time, living in a constant hurry and the uphill battle of finding the natural tempo to life itself.
The tranquility of Uncle No Rules's home is disturbed when a mysterious variety-show equipped with a studio audience and charismatic host (Marky Ramone) descends upon the household.
A man named Shiki has been sent to a company in Matsuyama. Since Shiki was famous as a baseball club member at a previous company, there is a story about baseball clubs in the company. Ken, who was a player in high school, participated without being reluctant, supported by his lover Michiko.
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
Amid the chaos of existence, where warmth entwines with cold, passion ignites a fire that both liberates and consumes. Lust whispers sweet nothings, yet beneath the surface lies a scream—ecstasy laced with the taste of demise. Every touch is both a caress and a curse. We fuck to feel alive, yet each kiss inches us closer to the void. Love and loss converge, and the pulse of life beats strongest in the shadows of death.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.
Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.
All We Sheep Have Gone Astray is an experimental film that shows the internal struggles of a person who is frustrated with the function and structure of the world. The film sets a surreal portrayal of the person's mind as he talks to himself about his personal critique on humanity, individualism, and the idea of free will. The cinematic elements within the film guide the protagonist through his quest as he strives to retain his deepest thoughts from the outside world.
SEDUCED AND ABANDONED combines acting legend Alec Baldwin with director James Toback as they lead us on a troublesome and often hilarious journey of raising financing for their next feature film. Moving from director to financier to star actor, the two players provide us with a unique look behind the curtain at the world's biggest and most glamourous film festival, shining a light on the bitter-sweet relationship filmmakers have with Cannes and the film business. Featuring insights from directors Martin Scorsese, 'Bernando Bertolucci' and Roman Polanski; actors Ryan Gosling and Jessica Chastain and a host of film distribution luminaries.
A nurse is forced to spring a wounded murder suspect from the hospital when the man’s brother kidnaps his pregnant wife and wants to make a trade.
Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.
Conman Robert Freegard poses as an undercover MI5 agent and kidnaps countless victims amidst a high-stakes manhunt, until the woman who fell for him brings him to justice.
An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.
This special explores the return of Obi-Wan Kenobi and Anakin Skywalker to the screen, as well as Ewan McGregor and Hayden Christensen to their classic roles. Director Deborah Chow leads the cast and crew as they create new heroes and villains that live alongside new incarnations of beloved Star Wars characters, and an epic story that dramatically bridges the saga films.
20 men are chosen to participate in the roles of guards and prisoners in a psychological study that ultimately spirals out of control.
The story lives forever in this feature-length documentary that charts the making of Star Wars: The Rise of Skywalker.
The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.
A couple receives a mysterious package from an old friend.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
The Driver is hired by the FBI to help defuse a hostage situation. A disgruntled employee has kidnapped a CEO and has hidden her, demanding $5,088,042. The Driver delivers the money, writing the sum on his hand as instructed by the hostage taker. After he is told that he holds the life of a person in his hand, he is ordered to burn the money. As he complies, the federal agents break in and attempt to subdue the man, who shoots himself in the head before he reveals where the woman is hidden. The Driver then tries to find the hostage before she drowns in the trunk of a sinking car. As a twist, the kidnapped woman is revealed to be the hostage taker's lover. She coldly taunts the dying man in the hospital.
The Driver drives a wounded diplomat, who carries a mysterious briefcase, while under helicopter attack. During the attack the briefcase is struck by a bullet, causing a display on it to begin counting down, and it to leak an unknown fluid from the bullet hole. The Driver manages to destroy his pursuers, but refuses to proceed without knowing the contents of the damaged briefcase. It is revealed that the diplomat guards a human heart for a peacekeeper, whose life is needed for the continued freedom of the people. The case is delivered, and the tyrant is forced to give up his attempt to take the country by force. The Driver leaves for another mission.
A drifter with a mysterious past arrives in a small town and finds the residents in the grip of a ruthless crime boss and realizes he has to help them.
Offbeat documentarian Chris Smith provides a behind-the-scenes look at how Jim Carrey adopted the persona of idiosyncratic comedian Andy Kaufman on the set of Man on the Moon.
A young woman escapes her wildly eccentric family in search for a life of normalcy.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
After his police officer brother is killed by a drug dealer who flees to the protection of his cartel-connected uncle in Mexico, an American man with a diverse law enforcement/military background goes south of the border to get revenge
