Sat-chan Tadashi-chan: Sengo minshu-teki dokuritsu pro funtō-ki

After the war, many filmmakers were expelled from the Japanese film industry due to the Toho Dispute and the Red Purge. Amid such circumstances, there were people who set up their own independent production companies and embarked on film production without relying on corporations. This documentary film focuses on the passionate "spirit of film" of directors such as Satsuo Yamamoto and Tadashi Imai, who, despite many hardships, produced a succession of masterpieces overflowing with humanism and rebellious spirit.

Teruo Ishii Fan Club

A documentary on Teruo Ishii, the Japanese "King of Cult".

A. K.

An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.

Seijun Suzuki: kabuki & yakuzas

Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.

Ken San

KEN SAN pieces together the puzzle of the life and legacy of Japan's mythical acting icon, Ken Takakura. Collaborators, friends and family tell intimate stories of Ken's journey: how one man of quiet dignity became a cultural barrier-breaking film star.

Bâtons d'encens pour Mizoguchi

By Player

The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.

Nezumikozo Jirokichi

Legendary anime director Rintaro’s (Metropolis, X/1999, Galaxy Express 999) first new work in over a decade depicts pioneering 1930s director Sadao Yamanaka and the production of his Nezumikozo Jirokichi. Despite dying before the age of 30, Yamanaka was a pivotal influence in Japanese cinema whose work would go on to inspire future generations. While most of his films have been lost to time, his scripts remain, and Nezumikozo Jirokichi recreates one of these lost films—a tale of a famous, virtuous bandit in old Edo—as imagined by Rintaro together with an all-star team including Katsuhiro Otomo (Akira, Memories), Taro Maki (Pluto, Millennium Actress) and Masao Maruyama (Ninja Scroll, Perfect Blue).

Red Shade

Keichi Tanaamis new animation work Red Shade (2021) is based on paintings that he had produced on the premise that they will be set in motion. Each of the 80 selected scenes was given a distinct movement of its own, and the edited version of the completed work became the first film. The 80 scenes are each independently complete, and can be freely rearranged. For example, you can start from scent 80 and end in scene one, or arrange them irregularly like 1, 4, 8, 7, and so on. In other words, the essence of the work does not change no matter how the scenes are arranged. Even so, it is possible to produce a strong impact by exchanging the images for each frame, and one can also for instance, create an impression of a refreshing breeze sweeping through the green meadows.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Apollo 13: Houston, We've Had a Problem

Patrick Moore presents this documentary about the Apollo 13 space mission of April 1970. The video features the live TV coverage of the real-life drama from lift-off to splash-down in the Pacific Ocean.

For here am I sitting in a tin can far above the world

A woman dreams of a future economic crisis affecting the cryptocurrency market. Thousands have been cryogenized, waiting for better times. Are they suspended or are they falling into the void?

Cyberbunker: The Criminal Underworld

This documentary reveals how a group of hackers powered the darkest corners of the internet from a Cold War-era bunker in a quiet German tourist town.

Walter Rodney: What They Don’t Want You to Know

An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of empire, colonialism, and its impact on the modern world.

D’Annunzio’s Cave

Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863–1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends—cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz—simultaneously filmed the rooms and furnishings of the villa in their own specific styles.

Pengi and Sommi

Baby Emperor Penguin Pengi and Sommi's Ultimate Challenge Begins! At 60 degrees below zero, winter has come to the South Pole, the coldest glacial region in the world. Abandoned due to its bitter coldness, the South Pole is greeted by the real natives of this place, the Emperor Penguins, who have come to welcome new lives. Through the indescribable love and care given by mom and dad, baby Emperor Penguins Pengi and Sommi awake from their egg shells. Gluttonous Pengi, the number one trouble maker in the South Pole, and cutie Sommi, who loves daddy's embrace the best, become great friends. Then one day, Sommi’s dad goes out to the sea to seek her out. Sommi left all alone, cold and starving to the brink of death, and Pengi desperately tires to help Sommi through her troubles. Could Pengi and Sommi possibly overcome numerous hardships and become beautiful full-grown Emperor Penguins?

Under a Bridge

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.