Social & External
Self
After the war, many filmmakers were expelled from the Japanese film industry due to the Toho Dispute and the Red Purge. Amid such circumstances, there were people who set up their own independent production companies and embarked on film production without relying on corporations. This documentary film focuses on the passionate "spirit of film" of directors such as Satsuo Yamamoto and Tadashi Imai, who, despite many hardships, produced a succession of masterpieces overflowing with humanism and rebellious spirit.
A documentary on Teruo Ishii, the Japanese "King of Cult".
Because his style was similar to that of Yasujiro Ozu, who was already active at Shochiku, he moved to PCL (currently Toho) in 1933, where he appeared in the talkie works "My Wife, Like a Rose" and "Tsuruhachi Tsurujiro." It got attention. There were times when he was unable to make as many films as he wanted due to wartime film regulations and post-war Toho disputes, but in 1951 he revived his career with Meshi. Since then, he has released masterpieces one after another, including "Okaasan," "Lightning," "The Couple," "Wife," "Anii Mouto," "Sounds of the Mountain," and "Bangiku." The pinnacle of his work, "Floating Clouds," is Kenji Mizoguchi's "Wife." Even director Ozu was impressed, calling it a masterpiece of Japanese cinema, on par with "The Sisters of Gion." He depicted ordinary people in everyday life with an everyday realism that was not influenced by lyricism, and he consistently sought out women as his subjects.
An intimate chronicle of the shooting of Ran (1985), a film directed by the legendary Japanese filmmaker Akira Kurosawa.
KEN SAN pieces together the puzzle of the life and legacy of Japan's mythical acting icon, Ken Takakura. Collaborators, friends and family tell intimate stories of Ken's journey: how one man of quiet dignity became a cultural barrier-breaking film star.
Film director and screenwriter Seijun Suzuki (1923-2017), who in the sixties was the great innovator of Japanese cinema; and his collaborator, art director and screenwriter Takeo Kimura (1918-2010), recall how they made their great masterpieces about the Yakuza underworld for the Nikkatsu film company.
The film is a series of vignettes from Taiji Tonoyama's life and film clips, interspersed with a dialogue to camera by Nobuko Otowa, addressing the camera as if she is addressing Tonoyama himself, recollecting events in his life. The film focuses on Tonoyama's alcohol dependence and his various sexual relationships, as well as his film work with Shindo.
Legendary anime director Rintaro’s (Metropolis, X/1999, Galaxy Express 999) first new work in over a decade depicts pioneering 1930s director Sadao Yamanaka and the production of his Nezumikozo Jirokichi. Despite dying before the age of 30, Yamanaka was a pivotal influence in Japanese cinema whose work would go on to inspire future generations. While most of his films have been lost to time, his scripts remain, and Nezumikozo Jirokichi recreates one of these lost films—a tale of a famous, virtuous bandit in old Edo—as imagined by Rintaro together with an all-star team including Katsuhiro Otomo (Akira, Memories), Taro Maki (Pluto, Millennium Actress) and Masao Maruyama (Ninja Scroll, Perfect Blue).
Keichi Tanaamis new animation work Red Shade (2021) is based on paintings that he had produced on the premise that they will be set in motion. Each of the 80 selected scenes was given a distinct movement of its own, and the edited version of the completed work became the first film. The 80 scenes are each independently complete, and can be freely rearranged. For example, you can start from scent 80 and end in scene one, or arrange them irregularly like 1, 4, 8, 7, and so on. In other words, the essence of the work does not change no matter how the scenes are arranged. Even so, it is possible to produce a strong impact by exchanging the images for each frame, and one can also for instance, create an impression of a refreshing breeze sweeping through the green meadows.
Jan Broberg and her family tell the unbelievable story of how she survived two kidnappings and years of childhood sexual abuse by a family friend.
TOMORROW X TOGETHER MEMORIES : SECOND STORY DVD is full of behind-the-scenes stories of album activities such as the jacket, MV shooting site, and media showcases of the album 'minisode : Blue Hour', 'The Chaos Chapter: FREEZE' and 'FIGHT OR ESCAPE'. Above all, you can also see the live performances of 'ACT:BOY', the first solo concert since debut, and the making of their Poster, Merch and VCR Filming Sketch. In addition, various award ceremonies and 2021 DREAM WEEK : MOA CAMPUS to celebrate the 2nd anniversary of their debut is shown!
“A short video about the return of the Marcoses in 2016, when Bongbong ran for Vice-President. This was updated in 2022, when he became President” (Mike De Leon).
Take a magical journey through the eyes of Terrifier 2's Selfie Guy. 3 years of interviews shot completely in selfie mode. Tons of celebrity cameos and seeing the ups and down in the film world. Director Rick Styczynski brings to light the cult madness of Selfie King.
In 1997, 17-year-old suburban Buenos Aires filmmakers Pablo Parés and Hernan Sáez pooled $450 to co-write/produce/direct and star in a shot-on-VHS zombie epic of such flesh-ripping, gore-spewing greatness that it instantly drew global cult acclaim and redefined the possibilities of extreme DIY horror. Over the next 20 years, Parés, Sáez and their friends would create two increasingly ambitious – and equally brilliant – viscera-soaked sequels (and several short films) that made them “Argentinian George Romeros who’ve built a small empire of gore flicks”
On The Red Carpet presents an in-depth look at the making of All of Us Strangers.
This film is about three modern Russian singers (Irina Bogushevskaya, Svetlana Surganova, Anna Gerasimova), whose life and creative path can serve as a model of fortitude. Each of them had to overcome difficult life trials and remain true to themselves and their creativity. The author of the film and their colleague Elena Pogrebizhskaya talks about these outstanding women with a tragic revelation.
Since their debut in 2020, aespa has shown impressive growth with the mega-hits of their every album, including 'Black Mamba', 'Next Level', 'Savage', and 'Girls.' The first page of the story about aespa's radiant dream unfolds on the screen, including their new music world, the live recording of their performances, the first reveal of the honest interview of the four members, and the stories behind the scenes of their first concert in 2023 'SYNK : HYPER LINE.'
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