El rey del bandolín

Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.

The Revolution Will Not Be Televised

Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.

Imagen de Caracas

Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.

Hugo Chávez: Itinéraire d'un révolutionnaire

Testimonio de un obrero petrolero

Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.

La autonomía ha muerto

In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.

Azu

1780, a group of slaves flee from a sugar cane hacienda. As they are pursued by Don Manuel Aguirre, obsessed landowner who has fixed his eyes on Azu, the beautiful slave with an ancestral destiny.

Little Square

Intertwined stories of people fighting for love, survival and the truth during quarantine.

Black River

Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez

Bolívar, Faro de América

Documentary about the life of Simón Bolívar, directed by Antonio Bacé.

Nanook of the North

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Olympia Part One: Festival of the Nations

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.

Olympia Part Two: Festival of Beauty

Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.

Workers Leaving the Lumière Factory

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Apollo 13: Houston, We've Had a Problem

Patrick Moore presents this documentary about the Apollo 13 space mission of April 1970. The video features the live TV coverage of the real-life drama from lift-off to splash-down in the Pacific Ocean.

For here am I sitting in a tin can far above the world

A woman dreams of a future economic crisis affecting the cryptocurrency market. Thousands have been cryogenized, waiting for better times. Are they suspended or are they falling into the void?

Cyberbunker: The Criminal Underworld

This documentary reveals how a group of hackers powered the darkest corners of the internet from a Cold War-era bunker in a quiet German tourist town.

Walter Rodney: What They Don’t Want You to Know

An original circa 72-minute documentary featuring a murder, Cold War conspiracies, Black Power, the end of the Empire, and how that connects to the policing and surveillance practices of today. It feeds a growing appetite for history from a different perspective, as we grapple with the legacy of empire, colonialism, and its impact on the modern world.

D’Annunzio’s Cave

Heinz Emigholz, the premiere purveyor of architectural oddities (Sullivan’s Bridges, Goff in the Desert), meticulously documents 15 rooms of the enormous Villa Cargnacco in Lombardy, Italy, designed by proto-fascist poet Gabriele D’Annunzio (1863–1938). The controversial figure spent 17 years designing the Vittoriale, a state museum on Lake Garda, and furnishing the Villa Cargnacco, which is part of the grand complex. This unusual documentary resulted from a photography session in the villa, when four friends—cinematographers Irene von Alberti, Elfi Mikesch, Klaus Wyborny and Heinz Emigholz—simultaneously filmed the rooms and furnishings of the villa in their own specific styles.

Pengi and Sommi

Baby Emperor Penguin Pengi and Sommi's Ultimate Challenge Begins! At 60 degrees below zero, winter has come to the South Pole, the coldest glacial region in the world. Abandoned due to its bitter coldness, the South Pole is greeted by the real natives of this place, the Emperor Penguins, who have come to welcome new lives. Through the indescribable love and care given by mom and dad, baby Emperor Penguins Pengi and Sommi awake from their egg shells. Gluttonous Pengi, the number one trouble maker in the South Pole, and cutie Sommi, who loves daddy's embrace the best, become great friends. Then one day, Sommi’s dad goes out to the sea to seek her out. Sommi left all alone, cold and starving to the brink of death, and Pengi desperately tires to help Sommi through her troubles. Could Pengi and Sommi possibly overcome numerous hardships and become beautiful full-grown Emperor Penguins?