Diameter of the Bomb

Since the renewed Intifada began in 2000, there have been over 75 Palestinian suicide bombings. This is the story of 0ne-the bombing of bus 32 in Jerusalem in June 2002. The film connects the stories of a group of ordinary Israelis-Jews and Arabs. Each of them holds a clue to someone who died that day.

The Colours of Pride

Tom Hill, a Seneca artist and curator, explores the works of four contemporary Indigenous artists.

Il Grande Cretto di Gibellina

An enormous shroud of white cement covers a hillside in the remote of western Sicily. It is both land art and a memorial to the town of Gibellina that was devastated by an earthquake in January 1968. It’s a work by the Italian artist Alberto Burri. He covered the ruins of the town with white cement and fissures function as pathways that wind through an area of roughly 20 acres. Petra Noordkamp captures Il Grande Cretto di Gibellina by Alberto Burri as an experentiental work of art filled with a sense of place and history.

Freeze: But is it Art?

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

In Our Hands: The Battle for Jerusalem

Produced by CBN Documentaries and Biblical Productions, "In Our Hands" tells the story of the Battle of Jerusalem in the Six-Day War through the eyes of the IDF's 55th Paratrooper Brigade

Flying with Fins

Paintings, performances, experiments, electronic music sounding in the spaces of two old houses in a small Italian town, heated conversations about contemporary art, touching meetings with the closest people and places in Bulgaria after 50 years of separation. "Flying with Fins" is a film about the constant search for meaning in art and life. Alzek Misheff, artist - rebel and experimenter, leads us in this philosophical and aesthetic journey through time, space and ideas.

Jaar. Lament of the Images

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

與竹共舞

2012／HD／Color／19min／

Stones and Flies: Richard Long in the Sahara

In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.

The Warhol Effect

Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.

The Price of Everything

Featuring collectors, dealers, auctioneers and a rich range of artists, including market darlings George Condo, Jeff Koons, Gerhard Richter and Njideka Akunyili Crosby, this documentary examines the role of art and artistic passion in today’s money-driven, consumer-based society.

Benutzt und gesteuert – Künstler im Netz der CIA

Les Couturiers de l'Église

El Cuerpo del Escándalo - Un film acerca de Natacha Voliakovsky

The Mountain of the Lord

Recounts the 40-year history of building the Salt Lake Temple, shown as if recounted by Wilford Woodruff to a young reporter. It portrays the pioneers' dedication to temple worship.

Countdown to Calvary

Hugh Bonneville reveals how a perfect storm of political intrigue, power struggles and clashing religious passions combined, in a single week, to cause the event that changed the world: the killing of Jesus.

North Star: Mark di Suvero

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.

Promises

Documentarians Justine Shapiro and B.Z. Goldberg traveled to Israel to interview Palestinian and Israeli kids ages 11 to 13, assembling their views on living in a society afflicted with violence, separatism and religious and political extremism. This 2002 Oscar nominee for Best Feature Documentary culminates in an astonishing day in which two Israeli children meet Palestinian youngsters at a refugee camp.

Beijo de Borboleta

Rule of Stone

Rule of Stone is a documentary film that exposes the power of architecture and the role it has played – aesthetically, ideologically and strategically – in the creation of modern Jerusalem after the 1967 war.