The Fox Dancing in the Dusk

Fall of the Shogun's Militia

Kondo Isami, the “Devil” commander of the Shinsengumi was one of Japan’s greatest national heroes and a peerless swordsman who devoted his life to protecting the shogun and fighting on the side of the Tokugawa. This tells the story of the Shinsengumi starting at the moment of their greatest triumph through the final battles as the Tokugawa shogunate was brought down.

Black Fox: Age of the Ninja

The era when Samurai and Ninja existed in Japan. Rikka Isurugi was born and raised in a Ninja clan secluded from society. She soon meets Miya, a girl with a mysterious power, who is found lost in the mountains. As Rikka is concerned that someone is pursuing Miya, she also asks the head the of Isurugi Ninja Clan for permission to avenger her father's death. Soon Rikka faces danger with the attack of the Negoro group but…

Iemitsu, Hikoza and Isshin Tasuke - A National Crisis: Edo Castle in Danger

Yagyu Jubei, the finest swordsman in the land, is called upon to bare his blade to help Iemitsu keep his post. Meanwhile a fishmonger named Isshin Tasuke who bears an amazing resemblance to Shogun Iemitsu may be called upon to put his life on the line by acting as the Shogun's double. At the same time, the tragic story of Banzuiin Chobei and Mizuno Jurozaemon is unfolding.

THE LEGEND & BUTTERFLY

Oda Nobunaga and Nōhime were originally married to mend a hostile relationship between neighbouring regions. Unfortunately, they were like oil and water, making for a somewhat unhappy marriage. When Oda's enemy, Imagawa Yoshimoto, attacks Owari with his vast army, Oda is devastated by the overwhelming gap in military strength. However, Nohime encourages him not to despair, and the pair draw up a tactical plan that will allow them to overcome the odds.

Throne of Blood

Returning to their lord's castle, samurai warriors Washizu and Miki are waylaid by a spirit who predicts their futures. When the first part of the spirit's prophecy comes true, Washizu's scheming wife, Asaji, presses him to speed up the rest of the spirit's prophecy by murdering his lord and usurping his place. Director Akira Kurosawa's resetting of William Shakespeare's "Macbeth" in feudal Japan is one of his most acclaimed films.

Sekigahara

The background to and depiction of a watershed battle in Japanese history, at Sekigahara in 1600, when Tokugawa Ieyasu's Army of the East defeated the Army of the West of Ishida Mitsunari. The story includes the intrigues and shifting loyalties of the various retainers, family members, and samurai.

Utamaro, Painter of the Woman

Kitagawa Utamaro is a famous ukiyo-e artist known for his paintings of beautiful women. The courtesan who became his model became even more popular. Ocho, a resident of an apartment building, hears about this and secretly plans to follow Otose, the owner of Mizuta-ya, who became famous as Utamaro's model. At this time, the Kano school, headed by Kano Eikawa, which was under the control of the shogunate, is dissatisfied with Utamaro's fame and tries to compromise him…

Harakiri

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

Taboo

Set during Japan's Shogun era, this film looks at life in a samurai compound where young warriors are trained in swordfighting. A number of interpersonal conflicts are brewing in the training room, all centering around a handsome young samurai named Sozaburo Kano. The school's stern master can choose to intervene, or to let Kano decide his own path.

Zatoichi on the Road

Zatoichi is sworn to protect the life of a young girl and without any real allies finds himself in the middle of a bloody turf war.

Hana

In a poor district of Edo lives a young samurai named Soza. He has been sent by his clan to avenge the death of his father. He isn't an accomplished swordsman however, and he prefers sharing the life of the residents, teaching the kids how to write etc. When he finally finds the man he is looking for, he will have to decide whether he follows the way of the samurai or chooses peace and reconciliation.

Samurai Cat: The Movie

The ever versatile Kazuki Kitamura stars as masterless samurai Kyutaro Madarame, a feared swordsman who has fallen on hard times in old Edo. Caught between two warring gangs in an epic battle of cat lovers and dog lovers, he begrudgingly accepts the canine faction's offer to assassinate the opposite leader's beloved pet: an adorable white cat. Yet upon raising his lethal sword, he cannot bring himself to go through with the act, and the cat melts his ronin heart. But before finding peace as a newly minted cat person, the still fearsome Madarame will have to take on both gangs in a classic samurai street brawl.

Ran

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an ageing warlord divides his kingdom between his three sons.

Ask This of Rikyu

Sen no Rikyu (Ebizo Ichikawa) is the son of a fish shop owner. Sen no Rikyu then studies tea and eventually becomes one of the primary influences upon the Japanese tea ceremony. With his elegant esthetics, Sen no Rikyu is favored by the most powerful man in Japan Toyotomi Hideyoshi (Nao Omori) and becomes one of his closest advisors. Due to conflicts, Toyotomi Hideyoshi then orders Sen no Rikyu to commit seppuku (suicide). Director Mitsutoshi Tanaka's adaptation of Kenichi Yamamoto's award-winning novel of the same name received the Best Artistic Contribution Award at the 37th Montréal World Film Festival, the Best Director Award at the 2014 Osaka Cinema Festival, the 30th Fumiko Yamaji Cultural Award and the 37th Japan Academy Film Prize in nine categories, including Best Art Direction, Excellent Film and Excellent Actor.

Two Portraits of MIYAGINO

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Blizzard Ronin

The film tells about the life of the former vassal of the Ako clan - Fuwa Katsuemon Masatane.

Kagemusha

Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.

The Last Princess

After the Akizuku clan fall in defeat to rival clan Yamana, Princess Yuki and General Rokurota take cover in a hidden fortress, along with their clan and gold treasury. Fortuitously stumbling into the hideaways, brash young miner Takezo and his bumbling sidekick Shinhachi hatch a daring plan to help transport the gold out of enemy terrain – in exchange for a share of the stash, of course. With assassins hot in pursuit, Yuki disguises as a male and ventures into the real world with Rukurota and her peasant companions, getting her first taste of danger, toil, and budding romance with the strong-minded and willful Takezo.

Snow on The Blades

At Sakurada Gate in 1860, the shogun’s chief minister and his retinue of bodyguards are ambushed and annihilated. Bearing the responsibility and shame for this failure is Shimura Kingo, master swordsman and chief of the guard. Forbidden to take his own life in atonement, he is instead tasked with hunting down the remaining assassins; however, fate intervenes and now only one is left. Devoted to his late lord and his duty, he relentlessly pursues the sole remaining assassin for the next thirteen years. But times are changing in Japan and the way of the sword has become outlawed. What does this mean for Kingo?