Spanish actor Pepe Viyuela embarks on a personal journey on the trail of his grandfather Gervasio, a soldier in the Republican Army during the Spanish Civil War.
Social & External
Self
Filmed along the Myanmar-Bangladesh border and within Rohingya refugee camps, Shafiur Rahman’s documentary on the 2017 Tula Toli massacre exposes chilling interviews and evidence of Myanmar military’s premeditated atrocities. The film documents mass killings, sexual violence, and the systematic destruction of the village of Tula Toli, highlighting a humanitarian crisis that forced over half a million people—many of them children—to flee in an exodus of historic scale.
The documentary of the Nuremberg War Trials of 21 Nazi dignitaries held after World War II.
In the stunning and starkly beautiful landscape of Western Sahara, Walter Bencini recounts his journey to meet the Saharawi people, uprooted from their lands for decades and confined to desert tent camps named after the Moroccan cities where they once lived. It's the solidarity journey of a group of people from Valdarno, delivering the money and medicines raised through various initiatives directly into the hands of the beneficiaries.
Education Center for disabled children located in the Sahrawi refugee camps in Algeria. Despite the precarious conditions in which this population lives since 40 years ago, the Polisario Front as the representative of the Sahrawi people has promoted inclusion as a way to avoid marginalization and discrimination of one of the most vulnerable populations within these territories: children with special needs. "Castro" is the man who devotes his life to this beautiful project fighting all odds: physical, psychic, social, economic, and even the incomprehensions of his own society. The Sahrawis are living (resisting) in one of the harshest deserts on Earth but Castro has the magic formula to achieve the inclusion of these wonderful beings in his society and in the rest of the world: MUSAWAT, EQUALITY.
A family with five children flees the war raging in their home village on the Russian border. They end up in Mshanets, a farming village on the other side of the country, remote and unknown. Here the family starts building a new home. At the same time, two documentary makers come to the village, looking for a story. In the Lymar family they find the ideal characters for their film. But one day, when the renovation of their house is almost finished, the family disappears. The filmmakers go in search of their characters and along the way they try to find an answer to the question: what does a person need to feel at home?
The political upheaval in North Africa is responsibility of the Western powers —especially of the United States and France— due to the exercise of a foreign policy based on practical and economic interests instead of ethical and theoretical principles, essential for their international politic strategies, which have generated a great instability that causes chaos and violence, as occurs in Western Sahara, the last African colony according to the UN, a region on the brink of war.
STARTING FROM ZERO documents the journey of three refugees — a female boxer, a TV personality and a journalist — caught in the crosshairs following the U.S. military’s sudden withdrawal from Afghanistan. Fleeing for their lives, they are transported to an unlikely luxury compound in Qatar before making their eventual journey to the United States and Germany, where they must restart their lives and confront the deferment of their dreams.
On Our Doorstep delves deep into an aspect of the refugee crisis that rarely reached the press. With NGOs being blocked by red tape and the absence of any positive action by French or British authorities, the film is a behind-the-scenes look at the unprecedented grassroots movement that rose to aid the refugees in Calais, and the community that sprang up there, before it was forcefully demolished. This is the story of what happens when young and inexperienced citizens are forced to devise systems and structures to support 10,000 refugees; and are left unguided to face the moral and emotional conflicts, blurred lines and frequent grey areas of giving aid to vulnerable people. People who do not want to be there. It questions whether the aims of the volunteers were met, and whether these aims ultimately served the refugees' needs.
Young Mohamed Dih, who in Seville, returns to his birthplace – a refugee camp in Western Sahara. Time flows differently here: the times of the day are marked by calls to prayer and the seasons – by the rainfall. When a torrential downpour destroys his family’s home, the protagonist stays in the camp for longer to help to rebuild it.
Refuge(e) traces the incredible journey of two refugees, Alpha and Zeferino. Each fled violent threats to their lives in their home countries and presented themselves at the US border asking for political asylum, only to be incarcerated in a for-profit prison for months on end without having committed any crime. Thousands more like them can't tell their stories.
Bobbing around on Mediterranean waters aboard the Ocean Viking, aid workers from the French relief service SOS Méditerranée gaze at the horizon. Is that a rubber dinghy in the distance, or is it garbage? The organization sails up and down the Libyan coast looking to pick up refugees in boats. On board is a 30-strong team ready to offer help and support refugees with their asylum applications.
In this exclusive broadcast, Democracy Now! breaks the media blockade and goes to occupied Western Sahara in the northwest of Africa to document the decades-long Sahrawi struggle for freedom and Morocco's violent crackdown. Morocco has occupied the territory since 1975 in defiance of the United Nations and the international community. Thousands have been tortured, imprisoned, killed and disappeared while resisting the Moroccan occupation. A 1,700-mile wall divides Sahrawis who remain under occupation from those who fled into exile. The international media has largely ignored the occupation—in part because Morocco has routinely blocked journalists from entering Western Sahara. But in late 2016 Democracy Now! managed to get into the Western Saharan city of Laayoune, becoming the first international news team to report from the occupied territory in years.
It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.
A U.S. Marine plots a terrorist attack on a small-town American mosque, but his plan takes an unexpected turn when he comes face to face with the people he sets out to kill.
A film about a generation of four friends who grew up together in Sarajevo. They are the friends of filmmaker Lidija Zelovic-Goekjian, now living scattered across the world. What has happened to them over the past 13 years: how did they survive the war, how do they live now, how do they look back on their former lives, on Sarajevo, and on their old friends?
Refugees in Algeria since 1975, the Saharawi have had to forge another life path, fighting to return home. Their children, a generation born in exile to parents born in exile, tell the story and struggle of their people, the Saharawi, through their dreams, hopes, and strength.
Forty years after its people were promised freedom by departing Spanish rulers, Western Sahara remains Africa's last colony. This film chronicles the everyday violence experienced by Sahrawis living under Moroccan occupation and voices the aspirations of a desert people for whom the era of colonialist never ended.
Poignant postwar appeal for Britain’s Jewry to support orphaned Jewish children rescued from Europe.
A prominent Czech journalist Saša Uhlová leaves her family and joins “cheap labour force” in Western Europe. Undercover, she works at an asparagus farm in Germany, tries her hand as a maid at a hotel in Ireland and takes care of the elderly in France. She experiences first-hand the struggles of Eastern European low-wage workers whose sacrifice and hard work allow for the Western society’s comfort. What is the real price that Europe pays for exploiting its own citizens? How do the lives of economic migrants, who have been forced to leave their children and elderly parents, look like? And why are privileged Europeans looking the other way?
